tag:blogger.com,1999:blog-66705005410728410022024-03-13T11:06:28.390-07:00cristina andoneBlog de scriere creativa. In fiecare zi de maine.Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.comBlogger61125tag:blogger.com,1999:blog-6670500541072841002.post-9770070093081877102020-10-06T01:57:00.000-07:002020-10-06T01:57:43.090-07:00Vești motănești: lansăm o nouă serie de cărți pentru copii<p>În această toamnă vom lansa la Nemira trei cărți despre un adorabil motan negru, norocos, pe nume Dar. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-7a8i-N-B4GM/X3wwHtGkTKI/AAAAAAAABbg/zxylgd-XGCISgzwGBahBgvxVn4dfxp3RQCLcBGAsYHQ/s737/dar%2Bmotan.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="737" data-original-width="643" height="528" src="https://1.bp.blogspot.com/-7a8i-N-B4GM/X3wwHtGkTKI/AAAAAAAABbg/zxylgd-XGCISgzwGBahBgvxVn4dfxp3RQCLcBGAsYHQ/w460-h528/dar%2Bmotan.jpeg" width="460" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Zilele acestea lucrăm intens la coperte, corectură, ultimele detalii. Din fericire, biroul nostru e afară, la Cărturești Verona, cu un suc de morcovi și măr alături. Revenim cu vești motănești!</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-F-uUGAQyTs0/X3ww4f5QNWI/AAAAAAAABbs/zxLhTiybJBgFtBJpi320aJ9_7-C9-UgogCLcBGAsYHQ/s1616/Poza%25CC%2586%2Bdin%2B05.10.2020%2Bde%2Bla%2B14.14%2B%25235.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1077" data-original-width="1616" height="322" src="https://1.bp.blogspot.com/-F-uUGAQyTs0/X3ww4f5QNWI/AAAAAAAABbs/zxLhTiybJBgFtBJpi320aJ9_7-C9-UgogCLcBGAsYHQ/w484-h322/Poza%25CC%2586%2Bdin%2B05.10.2020%2Bde%2Bla%2B14.14%2B%25235.jpg" width="484" /></a></div><p><br /></p>#CristinaAndone #EmiBalint #Nemira #CarturestiVerona #DarMotan #Cartipentrucopii<br /><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p>Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com0tag:blogger.com,1999:blog-6670500541072841002.post-55925023553154739132019-11-28T11:55:00.000-08:002019-11-28T11:55:26.730-08:00Ce e dreptatea? O poveste despre nesupunere.<div class="page" title="Page 48">
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<span style="color: #231f20; font-family: AGaramondPro; font-size: 11pt;">Hava aduce apă. Și azi, ca de fiecare dată, îi aduce pomului apă cu căucul. Face câteva drumuri, de la tâşnitoare şi înapoi, dar nu se simte obosită. Zi de zi, după şcoală, dă fuga aici, în parcul acesta în care copacii au nume. Aşa i-a pro- mis bunicului. În fiecare zi. De la el ştie povestea pomului. Începe cu un tren. </span><br />
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<span style="color: #231f20; font-family: AGaramondPro; font-size: 11pt;">Un tren. Un şir de 30 de cutii fără ferestre, puse pe roți. La fiecare vagon, gura de aerisire e blocată. Înăuntru, întuneric. Miroase a spaimă şi a moarte. În acest tren sunt închişi 2.530 de oameni. Este vară, iulie. Mai e puțin şi se des- chid cerurile. Aşa se spune că, pe şapte a şaptea, stelele fac o cruce mare pe</span><br />
<span style="color: #231f20; font-family: AGaramondPro; font-size: 11pt;">cer. Deocamdată, e 3 iulie, iar oamenii fac o rană mare chiar aici, pe pământ. Oameni. Sunt oameni cei care bat în cuie plăcuțele de fier pentru ca aerul să nu poată intra în vagoane. Sunt oameni cei care stropesc cu apă trenul, doar ca să-i amăgească pe cei însetați dinăuntru. Sunt oameni, sunt tineri, sănătoşi, frumoşi şi râd. Au uniforme, au arme şi mai ales au dreptate, ei aşa cred. Iar cei care cred că au dreptate atunci când fac răul sunt greu de oprit.</span><br />
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<span style="color: #231f20; font-family: AGaramondPro; font-size: 11pt;">În gara din Roman, o femeie micuță e hotărâtă să oprească trenul. Nu, nu poate opri moartea. Dar poate alina. Și poate da o pauză suferinței.</span><br />
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<span style="color: #231f20; font-family: AGaramondPro; font-size: 11pt;">— Sunt preşedinta Crucii Roşii, spune ea. Treaba noastră este să avem grijă de oamenii în suferință. Nu ne interesează dacă sunt evrei ori ba. Sunt oameni. Lăsați-ne să ne facem datoria. Lăsați-ne să le dăm măcar o gură de apă.<br />Aşa e drept!<br />— Credeți că o să schimbați istoria cu o gură de apă? Și apoi... cine mai ştie astăzi ce e dreptatea? murmură comandatul.</span><br />
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<span style="color: #231f20; font-family: AGaramondPro; font-size: 11pt;">Dreptatea. Dreptatea nu omoară pe nimeni. Dreptatea nu umileşte. Dacă un singur om trebuie închis într-o cutie încinsă în numele unei idei drepte, înseamnă că ideea e strâmbă, aşa crede femeia cea micuța şi spune tare: </span><span style="color: #231f20; font-family: AGaramondPro; font-size: 11pt; font-style: italic;">Nu e o gură de apă, e o gură de viață. </span><span style="color: #231f20; font-family: AGaramondPro; font-size: 11pt;">E o gură de speranță, adaugă ea în gând.<br />— Apă, apă, strigă cei din vagoane, coborând ca nişte umbre care nu mai recunosc soarele.</span><br />
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<span style="color: #231f20; font-family: AGaramondPro; font-size: 11pt;">Trenul a oprit. Va porni din nou, după ce deportații au primit ceai, apă şi zahăr, după ce s-au spălat, după ce vagoanele au fost dezinfectate. Astăzi în Ierusalim există o plăcuță cu numele celei care, în iulie 1940, a avut curajul să oprească, într-o gară, nedreptatea: Viorica Agarici. În memoria ei, un arbore este plantat pe Aleea celor Drepți. Dintre cei 2.530 de evrei închişi în trenul morții, vor supraviețui 700. Unul dintre ei este bunicul Havei.</span><br />
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<span style="color: #231f20; font-family: AGaramondPro; font-size: 11pt;">Apa amintirii nu seacă. Ca şi speranța, e apă vie.</span><br />
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<span style="color: #828064; font-family: FuturaNewBold; font-size: 9pt;">Viorica Agarici </span><span style="color: #828064; font-family: FuturaNewBook; font-size: 9pt;">(Bucureşti, 1886 – Bucureşti, 1979), Preşedinta Crucii Roşii din Roman. Născută într‐o familie de boieri liberali, a fost educată la institutul progresist Les Ruches din Franța, acelaşi pe care l‐a absolvit şi Eleanor Roosevelt. Pentru că pe 3 iulie</span><span style="color: #828064; font-family: FuturaNewBook; font-size: 9pt;">1941 a oprit trenul cu deportați evrei, a fost nevoită să plece din Roman. Atunci şi mai apoi, în comunism, a fost ajutată de comunitatea evreiască. Numele ei este trecut pe lista „Drepți între Popoare“ la Ierusalim.</span><br />
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<span style="color: #828064; font-family: FuturaNewBook; font-size: 9pt;">Poveste: Cristina Andone</span><br />
<span style="color: #828064; font-family: FuturaNewBook; font-size: 9pt;">Ilusatratie: Irina Maria Iliescu</span><br />
<span style="color: #828064; font-family: FuturaNewBook; font-size: 9pt;">Aparuta in: Nesupusele volumul 2</span><br />
<span style="color: #828064; font-family: FuturaNewBook; font-size: 9pt;">Editura Univers</span><br />
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Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com0tag:blogger.com,1999:blog-6670500541072841002.post-4978099176117373182019-11-28T11:19:00.002-08:002019-11-28T11:19:57.448-08:00Lansăm Nesupusele volumul 2!<div class="separator" style="clear: both; text-align: center;">
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Prima ieșire în lume a volumului 2 din Nesupusele va fi la Brașov. Sâmbăta aceasta. O să vă spun despre cum o femeie a salvat casa cărților în vremuri grele și neprielnice pentru poveste. De <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=100001152908148&extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARAy6ZYqAkTS8UotF11nxA9Jmy40EAwExH0FxiaZnkOy0pGxMVLNnLb6tuHDAHAKFhc22F4gUCDlvvqY%22%2C%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/ana.onita.1?__tn__=%2CdK-R-R&eid=ARAy6ZYqAkTS8UotF11nxA9Jmy40EAwExH0FxiaZnkOy0pGxMVLNnLb6tuHDAHAKFhc22F4gUCDlvvqY&fref=mentions" style="color: #385898; cursor: pointer; font-family: inherit; text-decoration: none;" title="Ana Onita">Ana Onita</a> e vorba. O să mai vorbim despre singurul jurnal care a fost scris într-un lagar de concentrare nazist si a ”supravietuit”incarcerarii. Da, autoarea ei, nascută în Transilvania, ar merita să fie mai celebră decat Anne Frank dar...nu este. Se numea Ana Novak. O să vă mai spun despre o femeie care a oprit trenul suferinței: Viorica Agarici. În fine, vor fi atât de multe povești. Dar noi vom avea timp, nu-i așa? Sâmbătă, după ora 12, intram în cercul bun al amintirilor, intram în cercul bun al poveștii.<br />
Mulțumim, Holcim, pentru sprijinul turneului Nesupusele!</div>
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<a class="_58cn" data-ft="{"type":104,"tn":"*N"}" href="https://www.facebook.com/hashtag/nesupusele2?source=feed_text&epa=HASHTAG" style="color: #385898; cursor: pointer; font-family: inherit; text-decoration: none;"><span class="_5afx" style="direction: ltr; font-family: inherit;"><span aria-label="hashtag" class="_58cl _5afz" style="color: #365899; font-family: inherit; unicode-bidi: isolate;">#</span><span class="_58cm" style="font-family: inherit;">Nesupusele2</span></span></a> <a class="_58cn" data-ft="{"type":104,"tn":"*N"}" href="https://www.facebook.com/hashtag/brasov?source=feed_text&epa=HASHTAG" style="color: #385898; cursor: pointer; font-family: inherit; text-decoration: none;"><span class="_5afx" style="direction: ltr; font-family: inherit;"><span aria-label="hashtag" class="_58cl _5afz" style="color: #365899; font-family: inherit; unicode-bidi: isolate;">#</span><span class="_58cm" style="font-family: inherit;">Brasov</span></span></a> <span class="_5afx" style="color: #385898; cursor: pointer; direction: ltr; font-family: inherit; text-decoration: none;"><a class="_58cn" data-ft="{"type":104,"tn":"*N"}" href="https://www.facebook.com/hashtag/anaonita?source=feed_text&epa=HASHTAG" style="color: #385898; cursor: pointer; font-family: inherit; text-decoration: none;"><span aria-label="hashtag" class="_58cl _5afz" style="color: #365899; font-family: inherit; unicode-bidi: isolate;">#</span><span class="_58cm" style="font-family: inherit;">AnaOnita</span></a> #CristinaAndone</span><br />
<a class="_58cn" data-ft="{"type":104,"tn":"*N"}" href="https://www.facebook.com/hashtag/holcim?source=feed_text&epa=HASHTAG" style="color: #385898; cursor: pointer; font-family: inherit; text-decoration: none;"><span class="_5afx" style="direction: ltr; font-family: inherit;"><span aria-label="hashtag" class="_58cl _5afz" style="color: #365899; font-family: inherit; unicode-bidi: isolate;">#</span><span class="_58cm" style="font-family: inherit;">Holcim</span></span></a></div>
Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com0tag:blogger.com,1999:blog-6670500541072841002.post-21743901653604225442019-11-26T12:17:00.001-08:002019-11-26T12:19:13.520-08:00Cartea Bunatatii<div style="caret-color: rgb(34, 34, 34); color: #222222; font-family: Arial, Helvetica, sans-serif;">
<span style="background-color: white; font-family: "arial" , "helvetica" , sans-serif;">De mii de ani, povestile vin dinspre sat catre oras, ca sursa de</span><span style="background-color: white; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; font-family: "arial" , "helvetica" , sans-serif;">valori si de intelepciune. De ceva vreme, aceste povesti au amutit,</span><span style="background-color: white; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; font-family: "arial" , "helvetica" , sans-serif;">coplesite fiind de istorisirile de la oras. Nu mai stim la ce viseaza</span><span style="background-color: white; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; font-family: "arial" , "helvetica" , sans-serif;">copiii de la sate. Care sunt reperele lor de bunatate. Care sunt</span><span style="background-color: white; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; font-family: "arial" , "helvetica" , sans-serif;">obstacolele lor. Povestile lor par intrate in amortire, fara vreo</span><span style="background-color: white; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; font-family: "arial" , "helvetica" , sans-serif;">sansa in competitia cu universul mult mai colorat, mai agresiv, mai</span><span style="background-color: white; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; font-family: "arial" , "helvetica" , sans-serif;">bine promovat al ”povestilor de la centru”.</span></div>
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<span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">Povestea a fost mereu antrenament pentru viata, busola pentru valori,</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">sursa de inspiratie si de visare. Dar nu ne antrenam peste tot la fel.</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">Vom vedea ca la sat un copil viseaza o portie cu cartofi fierti,</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">imbunati cu branza. Sau ca pentru el a ajuta pe cineva inseamna sa</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">taie lemne, sa care apa sau sa dea de mancare la pui. Pentru foarte </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">multi dintre ei bunatatea inseamna mai ales prezenta familiei. Sunt</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">tot mai multi copii lasati in urma de catre parintii plecati la munca</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">peste hotare. Sunt tot mai multi copii crescuti de bunici, copii care</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">spera din tot sufletul sa nu ramana singuri. </span><br />
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<span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">Ca scriitor, aleg</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">intotdeauna drumul greu. Pentru ca stiu ca la capatul lui voi gasi o </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">minune, nu o banalitate. Nu a fost usor de strang sute de raspunsuri</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">de la toti atatia copii din 17 localitati din Romania. Dar aceste</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">seminte de bunatate au rodit intr-o carte. O carte despre ce inseamna</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">sa fim generosi, deschisi, sa avem incredere si rabdare. Despre cum</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">educatia e singura cale rodnica. Despre cum doar impreuna ne va fi cu</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">adevarat mai bine. </span><br />
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<span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">Pe acest drum, am avut sprijinul nepretuit al celor</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">de la Ameropa Grains, carora</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">le multumesc dincolo de cuvinte. Ambitia lor a fost ca intrebarile</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">mele sa ajunga in scolile din 17 sate, sa fie un prilej de gandire, nu</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">doar un imbold la compunere. Voluntarii Ameropa din programul Happy </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">Grains au distribuit chestionarele bunatatii, au discutat cu</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">profesorii, au strans raspunsurile. La final, am primit o adevarata</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">recolta de scrisori. Veti gasi multe dintre gandurile copiilor in</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">paginile scrise de mana, despre bunatate. Le-am lasat</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">asa, neprelucrate, pentru ca inocenta lor este artă. Cele sapte</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">povesti se hranesc din samburii narativii culesi din aceste scrisori.</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">Ele pun laolalta vis, emotie, speranta si intelepciune. Sper sa fie o </span><span style="background-color: white; color: #222222; font-family: arial, helvetica, sans-serif;">sursa de inspiratie pentru toti copiii, indiferent unde locuiesc.</span><br />
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<a href="https://1.bp.blogspot.com/-OflfJ2pcCQo/Xd2HyiuYJtI/AAAAAAAABXE/26nogDdDfT8d8OQ4YKMM3yPNj1_FF4bVgCLcBGAsYHQ/s1600/coperta%2BCartea%2BBunatatii.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="664" data-original-width="1024" height="412" src="https://1.bp.blogspot.com/-OflfJ2pcCQo/Xd2HyiuYJtI/AAAAAAAABXE/26nogDdDfT8d8OQ4YKMM3yPNj1_FF4bVgCLcBGAsYHQ/s640/coperta%2BCartea%2BBunatatii.JPG" width="640" /></a><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">Si pentru ca povestea proiectului nostru are un final fericit, sa spu</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">nem ca in decembrie, 3500 de copii din 17 sate vor primi aceasta carte</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">cadou de Craciun, din partea Ameropa. </span><br />
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<span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">Impreuna facem lumea mai buna,</span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="background-color: white; color: #222222; font-family: "arial" , "helvetica" , sans-serif;">om cu om, poveste cu poveste!</span><br />
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Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com0tag:blogger.com,1999:blog-6670500541072841002.post-54247912246642874782019-11-01T02:48:00.006-07:002020-10-06T01:58:42.327-07:001 noiembrie sau...<br />
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De 13 ani sunt mama lui Sasha. Zis și bebelușul moțat. În fine...nu-i mai pot spune așa, desigur. Dar tot puiul meu gălbior a rămas, senin și vesel. Cel care nu se grăbește niciodată. Și are încredere că viața va fi bună cu el. Sasha m-a învățat că pot mai mult decât aș crede- de exemplu să-i prind sandalele cu ochii închiși. Atunci când simt că mi-e prea greu, mă uit în privirea lui senină. Și ceva se limpezește în mine, mereu. </div>
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Așa, ca de încurajare, să mai spunem că l-am născut pe puiul asta de soare de Ziua Morților. Sau...de Luminăție. Sau...de Ziua Tuturor Sfintilor. Așa apare 1 noiembrie peste tot în lume. Pentru mine e o zi despre viață, despre lumină. E ziua în care a aparut Sasha. </div>
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<a class="_58cn" data-ft="{"type":104,"tn":"*N"}" href="https://www.facebook.com/hashtag/1noiembrie?source=feed_text&epa=HASHTAG" style="color: #385898; cursor: pointer; font-family: inherit; text-decoration: none;"><span class="_5afx" style="direction: ltr; font-family: inherit;"><span aria-label="hashtag" class="_58cl _5afz" style="color: #365899; font-family: inherit; unicode-bidi: isolate;">#</span><span class="_58cm" style="font-family: inherit;">1noiembrie</span></span></a> <span class="_5afx" style="color: #385898; cursor: pointer; direction: ltr; font-family: inherit; text-decoration: none;"><a class="_58cn" data-ft="{"type":104,"tn":"*N"}" href="https://www.facebook.com/hashtag/sasha?source=feed_text&epa=HASHTAG" style="color: #385898; cursor: pointer; font-family: inherit; text-decoration: none;"><span aria-label="hashtag" class="_58cl _5afz" style="color: #365899; font-family: inherit; unicode-bidi: isolate;">#</span><span class="_58cm" style="font-family: inherit;">Sasha</span></a></span> <span class="_5afx" style="color: #385898; cursor: pointer; direction: ltr; font-family: inherit; text-decoration: none;"><a class="_58cn" data-ft="{"type":104,"tn":"*N"}" href="https://www.facebook.com/hashtag/13ani?source=feed_text&epa=HASHTAG" style="color: #385898; cursor: pointer; font-family: inherit; text-decoration: none;"><span aria-label="hashtag" class="_58cl _5afz" style="color: #365899; font-family: inherit; unicode-bidi: isolate;">#</span><span class="_58cm" style="font-family: inherit;">13ani</span></a> #familie #noi </span><br />
<span class="_5afx" style="color: #385898; cursor: pointer; direction: ltr; font-family: inherit; text-decoration: none;">#seninătate</span></div>
Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com0tag:blogger.com,1999:blog-6670500541072841002.post-42563300937846618932017-11-05T06:45:00.001-08:002017-11-05T06:46:24.872-08:00Momentul de aur<div class="" data-block="true" data-editor="1jukg" data-offset-key="a00na-0-0" style="color: #1d2129; font-family: 'SF Optimized', system-ui, -apple-system, BlinkMacSystemFont, '.SFNSText-Regular', sans-serif; font-size: 14px; letter-spacing: -0.11999999731779099px; white-space: pre-wrap;">
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<span data-offset-key="a00na-0-0" style="font-family: inherit;">Momentul de aur nu e cel in care stim ca am castigat. </span></div>
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<span data-offset-key="a00na-0-0" style="font-family: inherit;">Ci momentul-margine in care suntem foarte aprope sa credem ca vom pierde, ca povestea se va frange. </span></div>
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<span data-offset-key="a00na-0-0" style="font-family: inherit;">Si imediat momentul-zbor cand ne repliem, sarjand catre stelele despre care nimeni nu a gasit cuvinte.</span></div>
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<span data-offset-key="8hdis-0-0" style="font-family: inherit;">Despre momentul-margine si despre cum sa-l depasim pentru a ajunge la momentul-zbor, intr-un spot nou-nout de la </span><span class="_5zk7" contentstate="o { "entityMap": [object Object], "blockMap": OrderedMap { "a00na": s { "key": "a00na", "type": "unstyled", "text": "Pentru mine momentul de aur nu e cel in care stiu ca am castigat. Ci momentul-margine in care sunt foarte aprope sa cred ca voi pierde, ca povestea se va frange. Si imediat momentul-zbor cand ma repliez, sarjand catre stele despre care nimeni nu a gasit cuvinte sa povesteasca. 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border-bottom-color: rgba(88 , 144 , 255 , 0.298039); border-bottom-style: solid; border-bottom-width: 1px; font-family: inherit;"><span data-offset-key="8hdis-1-0" style="font-family: inherit;"><span data-text="true" style="font-family: inherit;">#BCR</span></span></span><span data-offset-key="8hdis-2-0" style="font-family: inherit;">. </span><span style="background-color: rgba(88 , 144 , 255 , 0.14902); font-family: inherit;">#incredere</span></div>
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Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com0tag:blogger.com,1999:blog-6670500541072841002.post-87100378199694873132017-09-17T11:37:00.000-07:002017-09-17T17:30:24.400-07:00Cum e să fii fatăSăptămâna aceasta am lansat la editura Univers o antologie cu un titlu curajos: Cum e să fii fată.<br />
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In gradina secreta de la Cărturesti Verona, sapte voci curajoase au vorbit inteligent despre feminitate.<br />
Au fost, pe rand, Raluca Feher, Dana Savuica, Andra Nistor, Miruna Ioani, Ioana Chicet Macoveiciuc si Victoria Serman. Cand mi-a venit randul, terminasem deja de impletit o cunună de iederă pentru mine (imi obtura vederea terasei, bine?) si una pentru Ivan, copilul Ioanei.<br />
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<a href="https://4.bp.blogspot.com/-4E4y7oeBkA0/Wb6_u-SxqzI/AAAAAAAABQY/kLp1BTIkClYtmJZZCxHsrBNUyS7d9VasACLcBGAs/s1600/1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="960" height="480" src="https://4.bp.blogspot.com/-4E4y7oeBkA0/Wb6_u-SxqzI/AAAAAAAABQY/kLp1BTIkClYtmJZZCxHsrBNUyS7d9VasACLcBGAs/s640/1.jpg" width="640" /></a><a href="http://1.bp.blogspot.com/-HCTyL0NqVWI/Wb7AKCuoC7I/AAAAAAAABQg/aly4qiBgQIoMmpEanJWC8zr8G2WjayXRACK4BGAYYCw/s1600/21743172_10214210630078328_7512476576021549948_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="480" src="https://1.bp.blogspot.com/-HCTyL0NqVWI/Wb7AKCuoC7I/AAAAAAAABQg/aly4qiBgQIoMmpEanJWC8zr8G2WjayXRACK4BGAYYCw/s640/21743172_10214210630078328_7512476576021549948_n.jpg" width="640" /></a><br />
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Am povestit despre un cuvant inventat, despre o jucarie stricată dar mai ales despre o intrebare senil-redundantă care mi-a descoperit un vis.<br />
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<i>Fătmeie</i>. E cuvantul de bolta al povestii mele, Pasărea fericirii, cea cu care se deschide cartea de la Univers. Da, am fost toata viata prima la catalog ( din motive de A). Iar acum sunt prima intr-o antologie, din aceleasi motive. La lansare m-am asezat strategic in coltul mesei. Ca sa nu mă mai mărit. Si, de asemenea, să am ragazul să-mi recapat suflul până ce intrebarile gazdei, Adriana Stoian, vor ajunge, in final, la mine. Asa mi s-a implinit o dorintă veche, de a fi ascultată ultima, fară a mai fi necesar rebrandingul din Andone in Zandone.<br />
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Revenind la fătmeie, acesta a fost cuvantul care l-am gasit pentru eroina mea, nici fătucă nici femeie. Un personaj care a lasat in urmă cliseul viselor de fată. Dar pentru care rochia de femeie sigură pe sine e prea larga și fosneste descurajant a tristete. Intre doua lumi, fătmeia mea incearca sa fie fericita. Si crede ca se poate. Daca tot suntem aici, sa dezvaluim ca pasarea fericirii din poveste nu exista. In schimb in camera mea de lucru se odihneste o jucarie stricata, o floare urata, care canta sposmodic, cu ultimele puteri ale bateriei: You are my suooonshiine, my ouunly sunshooine... Cam atat despre sursele obiective de inspiratie.<br />
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Sa trecem la inspiratia subiectiva, adică la intrebarea pe care mi-a pus-o obsesiv o doamna foarte eleganta pe 5-th Avenue: cu ce te ocupi? Lucrez in publicitate, i-am raspuns. Cu ce te ocupi? Lansez o noua companie, Ogilvy Earth. Cu ce te ocupi? Dresez maimute netalentate. Cu ce te ocupi? Sunt cosmeticiană de muzeu, ii fac unghiile lui Venus din Milo si pedichiura lui Apollo. Cu ce te ocupi? Sunt scriitor si asta voi face toata viata: voi scrie si voi povesti. Moment in care doamna m-a părăsit, evident indignată de derizoriul ultimului raspuns.<br />
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Peste 8 ani, pe o straduta care nu seamana cu 5-Avenue, multi prieteni m-au ajutat sa gasesc raspunsul la intrebarea cine sunt si de ce scriu.<br />
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Lor le multumesc, dincolo de cuvinte.<br />
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PS: Cartea Cum e sa fii fata poate fi comandata aici:<br />
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Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com0tag:blogger.com,1999:blog-6670500541072841002.post-34090272715097992262017-04-20T07:36:00.002-07:002017-04-20T07:43:33.950-07:00Lungul drum spre casa al povestilor muzicale<div style="color: #1d2129; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 6px;">
<a href="http://2.bp.blogspot.com/-Vm1nT8_6Qzw/WPjHUvehTQI/AAAAAAAABPw/uw6_KYso4zQUYP8WdLrAUaWIsRYhM5p9wCK4B/s1600/1%2Benescu.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://2.bp.blogspot.com/-Vm1nT8_6Qzw/WPjHUvehTQI/AAAAAAAABPw/uw6_KYso4zQUYP8WdLrAUaWIsRYhM5p9wCK4B/s320/1%2Benescu.jpg" width="268" /></a>Colectia Povesti din Padurea Muzicala si-a gasit drumul spre casa. La editura Nemi.</div>
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Acum doua luni am anuntam operatiunea de salvare a povestilor muzicale, acum avem deja un proiect care-si intinde aripile spre lume, mai repede decat putem noi spera. </div>
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Asadar, pe 24 aprilie va fi 'Enescu si hora razelor de soare', carte cu CD la 35 RON. </div>
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Apoi, pana in toamna, intreaga colectie de 8 carti despre muzica marilor compozitori.</div>
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Multumesc din inima! </div>
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Si va prezint, in premiera, cum va arata noua colectie, in format mare, premium.</div>
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Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com15tag:blogger.com,1999:blog-6670500541072841002.post-72178998655189624442017-02-26T13:09:00.001-08:002017-03-22T07:38:00.984-07:00Manifest de poveste<div class="MsoNormal" style="line-height: 13.5pt;">
<span style="background: white; color: #1d2129; font-family: inherit;">Pentru
cei care aleg o cura de Chopin, nu doar de shopping. </span></div>
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<span style="background: white; color: #1d2129; font-family: inherit;"><a href="http://4.bp.blogspot.com/-95vKxlOBjbU/WLNCI5h3nXI/AAAAAAAABMw/198OQSb-qRUBkOmauJRyzhev25aFMIy8ACK4B/s1600/16938760_395121324181155_7321039182425284738_n.jpg" imageanchor="1"><img border="0" height="300" src="https://4.bp.blogspot.com/-95vKxlOBjbU/WLNCI5h3nXI/AAAAAAAABMw/198OQSb-qRUBkOmauJRyzhev25aFMIy8ACK4B/s400/16938760_395121324181155_7321039182425284738_n.jpg" width="400" /></a></span></div>
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<span style="background: white; color: #1d2129; font-family: inherit;">Pentru cei care cred
ca adevaratul Copil Minune a fost Mozart, nu Adrian. </span></div>
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<a href="http://4.bp.blogspot.com/-JgC38dkLkuw/WLNCfERCq2I/AAAAAAAABNI/1k6QJKuxSWI_ar3jqbPFThSfeJJubOBTQCK4B/s1600/16864741_393011074392180_7970070369641512450_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="background-color: white; color: #1d2129; font-family: inherit; line-height: 13.5pt;"><br /></span></a><a href="http://4.bp.blogspot.com/-JgC38dkLkuw/WLNCfERCq2I/AAAAAAAABNI/1k6QJKuxSWI_ar3jqbPFThSfeJJubOBTQCK4B/s1600/16864741_393011074392180_7970070369641512450_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="background-color: white; color: #1d2129; font-family: inherit; line-height: 13.5pt;">Pentru cei care nu cred ca Bach a fost o ruda mai putin norocoasa a lui Hornbach. </span></a></div>
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<span style="background: white; color: #1d2129; font-family: inherit;">Pentru cei care au aflat ca Anotimpurile sunt patru concerte de Vivaldi, nu un fel de pizza in patru
culori. </span></div>
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<span style="font-family: inherit;"><span style="background-color: white; color: #1d2129; line-height: 13.5pt;">Pentru cei care s-au prins ca
Ceaikovski nu e un brand de ceai rusesc. </span><span style="background-color: white; color: #1d2129; line-height: 13.5pt;">Si nici nu are legatura cu ski-ul. </span></span></div>
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<span style="background-color: white; color: #1d2129; line-height: 13.5pt;"><span style="font-family: inherit;">Pentru cei care stiu ca Strauss Fiul nu e inventatorul strass-urilor. Si nici Strauss Tatal, de altfel. </span></span></div>
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<span style="font-family: inherit; line-height: 13.5pt;"><br /></span></div>
<div class="MsoNormal" style="line-height: 13.5pt;">
<span style="line-height: 13.5pt;"><span style="font-family: inherit;">Pentru cei care au auzit prima oara de Beethoven cu mult inainte
de 'Sex and the City'. </span></span></div>
<div class="MsoNormal" style="line-height: 13.5pt;">
<span style="font-family: inherit; line-height: 13.5pt;"><br /></span></div>
<div class="MsoNormal" style="line-height: 13.5pt;">
<span style="font-family: inherit; line-height: 13.5pt;">Pentru cei care cred ca iubirea nu are anotimp, fiind
"ever mine, ever yours, ever ours". </span></div>
<div class="MsoNormal" style="line-height: 13.5pt;">
<span style="font-family: inherit; line-height: 13.5pt;"><br /></span></div>
<div class="MsoNormal" style="line-height: 13.5pt;">
<span style="font-family: inherit; line-height: 13.5pt;">Pentru cei care numesc
"romantic" un roman sau un concert de secol 19, nu un fel de friptura
in penumbra. </span></div>
<span style="font-family: inherit;"><br /></span>
<br />
<div class="MsoNormal" style="line-height: 13.5pt;">
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<div class="MsoNormal" style="line-height: 13.5pt;">
<span style="color: #1d2129; font-family: inherit; mso-fareast-font-family: "Times New Roman";"><br /></span></div>
<div class="MsoNormal" style="line-height: 13.5pt;">
<span style="color: #1d2129; font-family: inherit; mso-fareast-font-family: "Times New Roman";"><br /></span></div>
<div class="MsoNormal" style="line-height: 13.5pt;">
<span style="font-family: inherit;"><br /></span></div>
<div class="MsoNormal" style="line-height: 13.5pt;">
<span style="color: #1d2129; font-family: inherit; mso-fareast-font-family: "Times New Roman";">Pentru ei, #povestilerezista.<o:p></o:p></span></div>
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<span style="color: #1d2129; font-family: inherit; mso-fareast-font-family: "Times New Roman";"><br /></span></div>
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<span style="color: #1d2129; font-family: inherit; mso-fareast-font-family: "Times New Roman";">Si tot pentru ei, am
deschis o lista de precomenzi pentru a demonstra unei edituri ca da, exista
parinti cu semnalmentele de mai sus.</span></div>
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<span style="color: #1d2129; font-family: inherit; mso-fareast-font-family: "Times New Roman";"> Click aici: </span><br />
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<span style="color: #1d2129; font-family: inherit; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span><a href="https://goo.gl/forms/fZMcK0bSspL7IpG03" style="font-family: 'Times New Roman'; line-height: 13.5pt;">https://goo.gl/forms/fZMcK0bSspL7IpG03</a><br />
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
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Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com2tag:blogger.com,1999:blog-6670500541072841002.post-72856789182954463352017-02-19T02:55:00.000-08:002017-02-19T02:59:12.515-08:00Cand ati mai salvat o carte?'Enescu si hora razelor de soare' are nevoie de ajutorul vostru pentru a-si gasi drumul catre casa.<br />
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<a href="http://2.bp.blogspot.com/-gnYZXQy9Urg/WKl3IldgHwI/AAAAAAAABK0/mHETec_mVGAhFq70DJI8xd5XKFYMeT2UQCK4B/s1600/1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="240" src="https://2.bp.blogspot.com/-gnYZXQy9Urg/WKl3IldgHwI/AAAAAAAABK0/mHETec_mVGAhFq70DJI8xd5XKFYMeT2UQCK4B/s320/1.jpg" width="320" /></a><br />
E posibil ca cea mai frumoasa carte din colectie, cea despre muzica compozitorului nostru national, sa ramana suspendata intr-un timp al refuzului.<br />
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In cor, editurile ne spun ca "nu exista piata pentru muzica clasica" si ca "nu pot sustine material proiectul".<br />
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In mod bizar, cartea o sa apara in suedeza in septembrie si va participa la Targul de Carte de la Goteborg.<br />
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Sa invatam suedeza, zic :).<br />
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Cu cele 8 povesti muzicale de pana acum, am vrut sa-i apropii pe copii de cultura inalta in mod firesc, creativ, fara artificii snoabe.<br />
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Astfel poate Bach nu va mai fi o ruda saraca a lui Hornbach.<br />
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Iar Chopin nu va fi o varianta de 'shopping' cu ultima consoana neglijent aspirata.<br />
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<a href="http://2.bp.blogspot.com/-qjoolmuJmFI/WKl3ZeLlDNI/AAAAAAAABK8/H2Tm17CpqdwmG3QApCrfO0TmjENqR7qswCK4B/s1600/15492446_1247495488640885_8449418991652469741_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="213" src="https://2.bp.blogspot.com/-qjoolmuJmFI/WKl3ZeLlDNI/AAAAAAAABK8/H2Tm17CpqdwmG3QApCrfO0TmjENqR7qswCK4B/s320/15492446_1247495488640885_8449418991652469741_n.jpg" width="320" /></a><br />
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Intre timp, au fost vandute 120.000 de carti despre muzica a 8 mari compozitori.<br />
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Nenumarati parinti mi-au scris despre copiii lor de 4-7 ani care vorbesc cu naturalete despre Vivaldi, Beethoven, Mozart, au preferinte clare si recunosc fara efort chiar bucati muzicale la prima auditie.<br />
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Deci visul meu nu mai este un construct fara aripi...<br />
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Si totusi, pentru Enescu ( iar in viitor, pentru re-editarea colectiei) avem nevoie de parteneri de poveste.<br />
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Ne lipsesc: o editura, un sponsor pentru CD, niste parteneri pentru difuzare si promovare.<br />
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In rest, totul e bine :)<br />
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<br />Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com2tag:blogger.com,1999:blog-6670500541072841002.post-69267731769101108722017-01-17T12:34:00.002-08:002017-01-17T12:34:46.993-08:00Sapte zile-ii. Retrospectiva saptamanii<div class="MsoNormal">
Masuram timpul in zile-ii pana apare "Enescu si hora razelor de soare". Iata retrospectiva unei saptamani de asteptare activa :) </div>
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Ziua a 9-a<br />
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O ie de femeie tanara, din Padureni.<br />
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Cu centura de balt, chei la brau si sire.<br />
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'Svastica' este de fapt un vechi simbol solar, indo-european. Care ne duce cu gandul la renastere, reinnoire, precum soarele care apune doar pentru a rasari din nou.</div>
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Ziua a 10-a<br />
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O ie de inima albastra sau... de marti. Din Muscel.<br />
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Cusuta cu romburi- simboluri ale soarelui care ne ocroteste.<br />
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Observati un mic punct rosu pe fondul albastru-regal. Este o eroare magica: o neregularitate care fereste de deochi.</div>
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<span class="s1">Ziua a 11-a.</span><br />
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<a href="https://2.bp.blogspot.com/-6kg1MJQWYOw/WH59nol4mZI/AAAAAAAABI4/DvJ27n7xTK8KF4RSSs0bawXoZCO9bHEdwCEw/s1600/15977227_371593599867261_852436746201283181_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://2.bp.blogspot.com/-6kg1MJQWYOw/WH59nol4mZI/AAAAAAAABI4/DvJ27n7xTK8KF4RSSs0bawXoZCO9bHEdwCEw/s320/15977227_371593599867261_852436746201283181_n.jpg" width="320" /></a></div>
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<span class="s1">O ie riguroasa, de Muscel, care poate produce epifanii. Sau indragostiri iremediabile.</span><o:p></o:p></div>
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<span class="s1">Cusuta cu fir metalic, in modelul valurit al spiralei, simbol al eternei reintoarceri. </span><br />
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<span class="s1">Altfel, cusuta direct pe suflet, in modelul iubirii fara leac.</span><br />
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<span class="s1">Ziua a 12-a</span><br />
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<span class="s1">La umbra fetelor care nu mai sunt.</span><o:p></o:p><br />
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<span class="s1">O ie de mireasa din Muscel. Lunga, racoroasa, cusuta cu romburi albe de matase, ca niste vise de fluture.</span><br />
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<span class="s1"> Demult, demult o fata si-a tesut fericirea in jurul acestei camasi. </span><br />
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<span class="s1">Acum ea insoteste o carte care va face copiii sa viseze.</span></div>
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<span class="s1">Ziua a 13-a </span><br />
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<span class="s1">O ie de domnita din Muscel. </span><br />
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<span class="s1">Cusuta cu fir metalic si matase in tonuri trandafirii. </span><br />
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<span class="s1">Un fel de " la vie en rose", in varianta romaneasca.</span></div>
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<span class="s1">Ziua a 14-a </span><br />
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<span class="s1">Trecem muntii in satul Birchis din Arad. </span><br />
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<span class="s1">Un costum de o elegantă sobrietate, cu ornamente caligrafice pe poale si pe mânecile spăcelului sub forma compacta de „pui tablă”.</span><o:p></o:p><br />
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<span class="s1">Cipca ( dantela) croșetată cu modele florale decoreaza mânecile și partea de jos a poalelor.</span><span class="apple-converted-space"> </span><o:p></o:p><br />
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<span class="s1">Peste poale se purta cătrânța din somot, cu motive florale stilizate. Si opregul cu „peticul” cusut cu fir metalic auriu și ciucurii roșii-aurii. Ambele sunt variante ale cotrantei si ale opregului din Banat.</span><br />
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<a href="https://4.bp.blogspot.com/-ZE-bKpA3rZU/WH59n7CEaiI/AAAAAAAABJE/hUN05XLxSpMOfTCE7AATxf9OCwVgGhaKgCEw/s1600/15977790_374019486291339_5376596462991456348_n.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="240" src="https://4.bp.blogspot.com/-ZE-bKpA3rZU/WH59n7CEaiI/AAAAAAAABJE/hUN05XLxSpMOfTCE7AATxf9OCwVgGhaKgCEw/s320/15977790_374019486291339_5376596462991456348_n.jpg" width="320" /></a>Ziua a 15-a<br />
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 5"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 6"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 7"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 8"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 9"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 2"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 6"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 8"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
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<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
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<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
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<div class="p1">
<span class="s1">O ie de mireasa dintr-o zona etnografica arhaica, extrem de izolata: Tinutul Padurenilor</span><span class="apple-converted-space"> </span><o:p></o:p></div>
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<span class="s1">( jud Hunedoara). </span><br />
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<span class="s1">Cordonul (balt) din zimti de cositor si streicuta de care sunt prinse chei si inele sunt tot atatea obiecte cu semnificatie magica, de protectie a femeii care va naste copii. "In Padureni, cheia este femeia. Iar inelul e femeia casatorita" ne invata etnograful Doina Isfanoni.</span><br />
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<span class="s1">Da. Femeia este cheia.</span></div>
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<span class="s1">Ziua a 16-a</span><br />
<a href="https://1.bp.blogspot.com/-RvvpEOHCs_k/WH5-yd6iXHI/AAAAAAAABJM/EnngM584NJcSJEa6U43wT1TRza1Mi_N1wCLcB/s1600/banat.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://1.bp.blogspot.com/-RvvpEOHCs_k/WH5-yd6iXHI/AAAAAAAABJM/EnngM584NJcSJEa6U43wT1TRza1Mi_N1wCLcB/s320/banat.jpg" width="317" /></a><span class="s1"><br /></span><br />
<span class="s1">Un costum de sarbatoare din Banatul de campie. Cuminte si sobru ca o rugaciune.</span><o:p></o:p></div>
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<span class="s1"><br /></span>
<span class="s1">Romburile brodate riguros pe maneci si poale sunt un simbol al fertilitatii feminine. Cotranta dubleaza cu fir auriu acelasi motiv, al femeii fecunde. </span><br />
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<span class="s1">Un gand bun trimis pe aripile dorului celei care a creat acest costum!</span><br />
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<span style="text-align: center;">Masuram timpul in zile-ii pana cand apare ' Enescu si hora razelor de soare'....</span><br />
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<a href="https://4.bp.blogspot.com/-z8b4JwoVmJs/WH5-3_X_eLI/AAAAAAAABJU/zBS_cH0PLkUkFuJv7ACFwle9ZWCwmvecACLcB/s1600/IMG_20170109_143843.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><a href="https://3.bp.blogspot.com/-dMEyo8uHYZ8/WH5-3bzB7RI/AAAAAAAABJQ/Hb2fwCjfjvseWeWVdIOa0ThdESu6lb4iACLcB/s1600/IMG_20170109_144729.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://3.bp.blogspot.com/-dMEyo8uHYZ8/WH5-3bzB7RI/AAAAAAAABJQ/Hb2fwCjfjvseWeWVdIOa0ThdESu6lb4iACLcB/s320/IMG_20170109_144729.jpg" width="320" /></a><img border="0" height="320" src="https://4.bp.blogspot.com/-z8b4JwoVmJs/WH5-3_X_eLI/AAAAAAAABJU/zBS_cH0PLkUkFuJv7ACFwle9ZWCwmvecACLcB/s320/IMG_20170109_143843.jpg" width="300" /><span class="s1"><br /></span></div>
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Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com0tag:blogger.com,1999:blog-6670500541072841002.post-75856570663954919802017-01-08T05:09:00.006-08:002017-01-09T09:34:43.370-08:00Masuram timpul in zile-iiPana apare 'Enescu si hora razelor de soare' in librarii, masuram timpul in zile-ii.<br />
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Sunt straie de poveste, stranse cu drag in 20 de ani. Care abia asteapta sa fie scoase in lume, insotind o carte despre dorul de romanesc.<br />
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Din februarie, colectia va fi expusa si in tara, oriunde unde om gasi oameni dornici sa asculte o poveste. Si sa admire o cusatura maiastra.<br />
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<a href="https://4.bp.blogspot.com/-At-J77o3uyQ/WHI2KAxvjuI/AAAAAAAABGY/a74y-Jl8q6IFDaX2BMvtWUNnboMeN-YBQCLcB/s1600/cristina%2Bandone1.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="180" src="https://4.bp.blogspot.com/-At-J77o3uyQ/WHI2KAxvjuI/AAAAAAAABGY/a74y-Jl8q6IFDaX2BMvtWUNnboMeN-YBQCLcB/s320/cristina%2Bandone1.JPG" width="320" /></a><br />
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Ziua intai.<br />
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O delicata ie de Valcea. Pe care mi-o inchipui neaparat intr-o padure alba, de mesteceni.<br />
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<a href="https://2.bp.blogspot.com/-6sZIiFl_jeE/WHI2Ke_OKJI/AAAAAAAABGc/Wq7MXgnPOyQclHp_ryEPLeXlIBjMV10UQCLcB/s1600/cristina%2Bandone2.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="240" src="https://2.bp.blogspot.com/-6sZIiFl_jeE/WHI2Ke_OKJI/AAAAAAAABGc/Wq7MXgnPOyQclHp_ryEPLeXlIBjMV10UQCLcB/s320/cristina%2Bandone2.JPG" width="320" /></a></div>
Ziua a 2-a<br />
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O ie robusta de Valcea, in tonuri de vin rosu.<br />
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<a href="https://3.bp.blogspot.com/-8K9zBFUUIU0/WHI2KQR47ZI/AAAAAAAABGg/CKtyrYtSycgx6N50PpIGlYTEsfESuH_owCLcB/s1600/cristina%2Bandone3.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="240" src="https://3.bp.blogspot.com/-8K9zBFUUIU0/WHI2KQR47ZI/AAAAAAAABGg/CKtyrYtSycgx6N50PpIGlYTEsfESuH_owCLcB/s320/cristina%2Bandone3.JPG" width="320" /></a></div>
Ziua a 3-a.<br />
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O solara, de Valcea. Si o selectie de lectura pentru zile de iarna, cu gandul la soare.<br />
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<a href="https://4.bp.blogspot.com/-8RSqGEbiYIM/WHI2Ka2WEvI/AAAAAAAABGk/vytJjGvyT4s125bz4efLKbCN4V-_UF4jACLcB/s1600/cristina%2Bandone4.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://4.bp.blogspot.com/-8RSqGEbiYIM/WHI2Ka2WEvI/AAAAAAAABGk/vytJjGvyT4s125bz4efLKbCN4V-_UF4jACLcB/s400/cristina%2Bandone4.JPG" width="300" /></a></div>
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Ziua a 4-a.<br />
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O ie exuberanta, de Teleorman. Complet apolitica:)<br />
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<a href="https://2.bp.blogspot.com/-X2r0aG5L2lM/WHI2TsJtkQI/AAAAAAAABGw/YVsp4VKtBAgZ01w1AGxsevXLMJW8WjvMwCLcB/s1600/cristina%2Bandone5.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="249" src="https://2.bp.blogspot.com/-X2r0aG5L2lM/WHI2TsJtkQI/AAAAAAAABGw/YVsp4VKtBAgZ01w1AGxsevXLMJW8WjvMwCLcB/s320/cristina%2Bandone5.jpg" width="320" /></a></div>
Ziua a 5-a<br />
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O ie ca o rugaciune. Din Valcea.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-Z27hLnx5CaU/WHI2KkXz5AI/AAAAAAAABGo/rVWk-D2JUeYkyTgc9r3sbqG89ds_xqZPgCLcB/s1600/cristina%2Bandone7.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://1.bp.blogspot.com/-Z27hLnx5CaU/WHI2KkXz5AI/AAAAAAAABGo/rVWk-D2JUeYkyTgc9r3sbqG89ds_xqZPgCLcB/s400/cristina%2Bandone7.jpg" width="300" /></a></div>
Ziua a 6-a<br />
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O ie in tonuri proaspete, cusuta cu fir metalic. De Muscel.<br />
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<a href="https://2.bp.blogspot.com/-0dT6zLhX_58/WHI2KM8dUqI/AAAAAAAABGU/btm4mYB8-GY0Y3V-bGTWNq4uxtaw8n1qgCLcB/s1600/cristina%2Bandone%2B6.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="240" src="https://2.bp.blogspot.com/-0dT6zLhX_58/WHI2KM8dUqI/AAAAAAAABGU/btm4mYB8-GY0Y3V-bGTWNq4uxtaw8n1qgCLcB/s320/cristina%2Bandone%2B6.jpg" width="320" /></a></div>
Ziua a 7-a<br />
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O ie de fata cuminte, din Mucel.<br />
Cusuta cu fluturi mici si matase.<br />
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<a href="https://2.bp.blogspot.com/-xqhEAgXRVi0/WHI2K5jiS9I/AAAAAAAABGs/8T0dND0HQPM5aJdPzFewO06pv0oMO49VQCLcB/s1600/cristina%2Bandone8jpg.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://2.bp.blogspot.com/-xqhEAgXRVi0/WHI2K5jiS9I/AAAAAAAABGs/8T0dND0HQPM5aJdPzFewO06pv0oMO49VQCLcB/s400/cristina%2Bandone8jpg.jpg" width="300" /></a><br />
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Ziua a 8-a<br />
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O ie in tonuri de gheata, cusuta cu motivul Stelei Ciobanului, cea care ne arata drumul spre...acasa.<br />
Daca s-ar fi nascut in Muscel, Craiasa Zapezii asa<br />
s-ar fi imbracat :)<br />
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Mai sunt multe zile-ii de povestit!<br />
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<br />Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com0tag:blogger.com,1999:blog-6670500541072841002.post-12795610409117904802017-01-04T10:47:00.004-08:002017-01-04T11:09:22.592-08:00Destin la tava: varianta creativa<span style="font-size: small;"><span style="font-size: large;">Uite ce se intampla cand o mama inocenta alege pentru fetita ei o nasa-scriitoare...</span></span><br />
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<a href="https://2.bp.blogspot.com/-MuVlZxuNzh8/WG1BhObZyLI/AAAAAAAABF8/m-DwEjXbTl0hNOKnPMSTKzFZlz4sR1bnQCLcB/s1600/enescu%2Bmotz.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-size: large;"><img border="0" height="240" src="https://2.bp.blogspot.com/-MuVlZxuNzh8/WG1BhObZyLI/AAAAAAAABF8/m-DwEjXbTl0hNOKnPMSTKzFZlz4sR1bnQCLcB/s320/enescu%2Bmotz.JPG" width="320" /></span></a><span style="font-size: large;">Va prezint mai jos tava prin care destinul avea sa fie incurajat sa ia o turnura de poveste.</span><br />
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<span style="font-size: large;">Am cautat sa pastrez o unitate cromatica pentru a nu influenta copila si.. pentru a-mi flata simtul estetic ( recunosc). </span></span><span style="font-size: large;">O tava romantic-vintage compusa cu lucruri dragi, din casa, mi s-a parut de preferat unei variante standard, de cumparat.</span><br />
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<span style="font-size: large;">Iata ce i-am propus micutei mele fine ( un mix etnografic-creativ):</span><br />
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<span style="font-size: large;">- grau, sa rodeasca tot ce atinge</span><br />
<span style="font-size: large;">- zahar, sa fie dulce</span><br />
<span style="font-size: large;">- aur, sa aiba spor</span><br />
<span style="font-size: large;">- sfoara, sa fie o temerara</span><br />
<a href="https://2.bp.blogspot.com/-4vYNysrTaNk/WG1B5lg-XHI/AAAAAAAABGA/6vIXqfmxggsi9Fnx6ZmEYSf9XXftJ4HWwCLcB/s1600/motz.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://2.bp.blogspot.com/-4vYNysrTaNk/WG1B5lg-XHI/AAAAAAAABGA/6vIXqfmxggsi9Fnx6ZmEYSf9XXftJ4HWwCLcB/s320/motz.jpg" width="301" /></a><span style="font-size: large;">- lingura, sa fie gospodina</span><br />
<span style="font-size: large;">- stergar brodat, sa fie harnica</span><br />
<span style="font-size: large;">- busola, sa isi gaseasca directia in viata</span><br />
<span style="font-size: large;">- pana de scris, sa devina scriitor :) </span><br />
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<span style="font-family: inherit; font-size: large;">- carte, sa aiba o viata de poveste</span></div>
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<span style="font-family: inherit; font-size: large;">- decoratie, sa primeasca recunoastere</span></div>
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<span style="font-family: inherit; font-size: large;">- bagheta de dirijor, sa ii conduca pe ceilalti si sa-si impuna cu eleganta ritmul</span></div>
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<span style="font-family: inherit; font-size: large;">- metronom, sa traiasca in propriul ritm</span></div>
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<span style="font-family: inherit; font-size: large;">- partitura, sa aiba o viata intre armonii</span></div>
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<span style="font-family: inherit; font-size: large;">- cupa, sa fie o invingatoare</span></div>
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<span style="font-family: inherit; font-size: large;">- pensula, sa duca o viata colorata</span></div>
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<span style="font-family: inherit; font-size: large;">- harta, sa descopere lumea</span></div>
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<span style="font-family: inherit; font-size: large;">- avion, sa aiba viziune si curaj</span></div>
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<span style="font-size: large;">Iar ea a ales, fara sa clipeasca: harta, stetoscopul si busola. </span></div>
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<span style="font-family: "times" , "times new roman" , serif; font-size: large;"><span style="color: #222222;">Asadar, un destin de </span><span style="color: purple;"><a href="http://www.msf.org/" style="cursor: pointer; text-decoration: none; white-space: nowrap;">Médecins Sans Frontières</a> (pentru cei interesati, click aici)</span></span></div>
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<span style="font-size: large;">Aplauze!</span></div>
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Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com6tag:blogger.com,1999:blog-6670500541072841002.post-10950177510325620722017-01-04T02:33:00.000-08:002017-02-18T11:31:31.382-08:00Despre rezistenta prin muzica si optimism<div class="p1">
<a href="https://3.bp.blogspot.com/-0vMgq-_4wrY/WG0FMVCGueI/AAAAAAAABFc/bV5k_TdBp1It9Ut0HNIPrzREX8jkrMv4gCLcB/s1600/IMG_0406.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="300" src="https://3.bp.blogspot.com/-0vMgq-_4wrY/WG0FMVCGueI/AAAAAAAABFc/bV5k_TdBp1It9Ut0HNIPrzREX8jkrMv4gCLcB/s400/IMG_0406.JPG" width="400" /></a><span style="font-family: "times" , "times new roman" , serif; font-size: xx-small;"><span class="s1"><span style="font-family: "times" , "times new roman" , serif; font-size: medium;">A- Omul care a scris aceste carti este unul care iubeste muzica, a gustat-o devreme. Cum s-a intamplat intalnirea ta cu muzica? Cine ti-a ghidat pasii pe acest taram? </span></span></span><br />
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</span><a href="https://3.bp.blogspot.com/-0vMgq-_4wrY/WG0FMVCGueI/AAAAAAAABFc/bV5k_TdBp1It9Ut0HNIPrzREX8jkrMv4gCLcB/s1600/IMG_0406.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: "times" , "times new roman" , serif; font-size: medium;"></span></a><span style="font-family: "times" , "times new roman" , serif; font-size: xx-small;"><span class="s1"><span style="font-family: "times" , "times new roman" , serif; font-size: medium;"> C.A: Acasa am crescut jucandu-ma sub pianina mamei, un Bechstein de secol 19 cu lumanari de bronz si efigia lui Beethoven in ebonita. Pe taburetul rotativ de dinaintea claviaturii m-am catarat la 4 ani, iar lectii propriu-zise am inceput sa iau la 5 ani. Dincolo de scoala de muzica, cred ca acela care m-a construit ca om iubitor de armonii a fost tatal meau, inginer si admirator dependent de Radio Romania Muzical. El m-a invatat sa ascult o simfonie, sa deosebesc partile unui concert, sa inteleg ca orice compozitie are trei principii de baza: contrast, repetitie si variatii. Si tot el mi-a rasplatit de fiecare data rabdarea cu o portie buna de joaca. Daca n-ar fi fost ambitia mamei de a ma indrepta spre pian si dorinta tatalui meu de a ne juca de-a compozitorii, nu as fi acum cetatean in patria muzicii.</span></span></span></div>
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<a href="https://3.bp.blogspot.com/-0vMgq-_4wrY/WG0FMVCGueI/AAAAAAAABFc/bV5k_TdBp1It9Ut0HNIPrzREX8jkrMv4gCLcB/s1600/IMG_0406.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: "times" , "times new roman" , serif; font-size: medium;"></span></a><span style="font-family: "times" , "times new roman" , serif; font-size: medium;"><span style="font-family: "times" , "times new roman" , serif;"><br /></span>
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-family: "times" , "times new roman" , serif;"> A</span><span style="font-family: "times" , "times new roman" , serif;">. - Desi in lumea in care traim auzim mereu replici melancolice de genul " Azi nu se mai citeste, domnule, ca pe vremuri!", " Copiii de azi nu mai sunt precum cei de ieri!", eu vad in jurul meu parinti care citesc constant celor mici, adolescenti care citesc e-book sau pe suport clasic, de hartie. Carui tip de cititor se adreseaza cartile tale? </span></span></span><br />
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</span><a href="https://3.bp.blogspot.com/-QU_6goX9UB8/WG0FVFcejvI/AAAAAAAABFg/gfwY4ViYIjMHtpBgi6bgsagc8eZt4sCSgCLcB/s1600/15541651_363586114001343_5977450708130434477_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: medium;"><img border="0" height="266" src="https://3.bp.blogspot.com/-QU_6goX9UB8/WG0FVFcejvI/AAAAAAAABFg/gfwY4ViYIjMHtpBgi6bgsagc8eZt4sCSgCLcB/s400/15541651_363586114001343_5977450708130434477_n.jpg" width="400" /></span></a><span style="font-family: "times" , "times new roman" , serif;"><span style="font-family: "times" , "times new roman" , serif; font-size: medium;">C.A. - Am scris aceste carti avand in minte un cuib de povesti in care un parinte se bucura sa descopere cu al sau copil o lume a armoniei. Asadar, am vizat nu atat un profil de cititor, cat un fel de a citi: in tihna, cu dragoste si curiozitate. Nici eu nu cred ca lectura va pierde partida in fata jocurilor pe tableta sau a filmelor. Concurenta e mult mai mare, atata tot. De aici si noul trend, admirabil, al parintilor care le citesc copiilor cu asiduitate si metoda. In comunism, nu ne citea nimeni dupa 6-7 ani, pentru ca alternativele la carte erau minimale. Acum batalia e mult mai sofisticata, drept pentru care ne profesionalizam si noi, acei parinti care vrem sa crestem niste copii cu discernamant, imaginatie si independenta. </span></span><br />
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<span style="font-family: "times" , "times new roman" , serif;"><span style="font-family: inherit;">A. - Studii diferite ne spun ca suntem ceea ce suntem pentru ca mostenim, genetic, anumite trasaturi din familie. Ni se spune si ca un rol important in educatie il care mediul in care ne traim mai ales primii ani din viata. Cum vezi tu rolul familiei in formarea tanarului cititor? </span></span></span><br />
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<span style="font-family: "times" , "times new roman" , serif;"><span style="font-family: "times" , "times new roman" , serif; font-size: medium;">C.A. - Hai sa-ti spun concret, despre cazul meu. Am crescut intr-o familie tipica de intelectuali din clasa de mijloc. Mama, medic. Tata, inginer. Fiecare parinte si-a proiectat in mine visele. Si..mi-a aratat partea lui de biblioteca.</span></span></span><br />
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<span style="font-family: "times" , "times new roman" , serif;"><span style="font-family: inherit;"> Ca mama, la randul meu, am incercat sa fiu mai ales...vesela. <i>Magre tout</i>, cum ar spune francezii. Suna derizoriu, stiu. Dar mi se pare ca traim intr-un interval atat de incarcat de vesti rele, incat rezistenta prin optimism a devenit un tip rar de eroism. </span></span></span><br />
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<span style="font-family: "times" , "times new roman" , serif;"><span style="font-family: "times" , "times new roman" , serif; font-size: medium;">Cartile mele fac parte din aceeasi strategie de rezistenta. Poate armonia, bunatatea si libertatea vor fi marfuri rare intr-o lume din ce in ce mai violenta, mai lipsita de compasiune si mai obsedata de control. A creste niste copii astfel incat sa nu devina niste numare oarbe, aceasta este, cred, miza noastra. Ca parinti. Ca oameni creativi si liberi. </span></span><br />
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<span style="font-family: "times" , "times new roman" , serif;"><span style="font-family: inherit;">( Fragment din interviul acordat blogului La Drum cu Apolodor) </span></span></span><br />
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Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com2tag:blogger.com,1999:blog-6670500541072841002.post-16406060233628572752016-12-13T12:41:00.000-08:002016-12-19T06:11:32.500-08:00Dimineata de poveste la Palatul Cantacuzino<a href="http://4.bp.blogspot.com/-KHRcbhrwzz0/WFBcj1_ifRI/AAAAAAAABCQ/CY-GcbpPz2w1Y5bKJXJ4LR320WeGkI4mQCK4B/s1600/Invitatie%2BPalatul%2BCantacuzino.jpg" imageanchor="1"><img border="0" height="368" src="https://4.bp.blogspot.com/-KHRcbhrwzz0/WFBcj1_ifRI/AAAAAAAABCQ/CY-GcbpPz2w1Y5bKJXJ4LR320WeGkI4mQCK4B/s640/Invitatie%2BPalatul%2BCantacuzino.jpg" width="640" /></a><br />
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Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com0tag:blogger.com,1999:blog-6670500541072841002.post-49446584522612072702016-11-18T04:54:00.000-08:002016-11-18T04:56:45.000-08:00De ce scriu mamele ( si alte intrebari castigatoare)<div class="MsoNormal" style="color: #5f5f5f; line-height: 18px; text-align: justify;">
<a href="https://1.bp.blogspot.com/-TVtfj6KIe98/WC73xi1wWWI/AAAAAAAABA4/_qSbrOKVNfU_GRuyOVL_8hROHhKRRycQACLcB/s1600/cristina%2Bandone.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="263" src="https://1.bp.blogspot.com/-TVtfj6KIe98/WC73xi1wWWI/AAAAAAAABA4/_qSbrOKVNfU_GRuyOVL_8hROHhKRRycQACLcB/s320/cristina%2Bandone.jpg" width="320" /></a><span style="font-family: inherit;"><span style="color: #1a1a1a;">'Când se naște scriitorul, înainte sau dup</span><span style="color: #1a1a1a;">ă</span><span style="color: #1a1a1a;"> ce se naște mama?' M-a intrebat o prietena blogger, Adina Matei. Si mi-a placut. Atat de mult, incat am hotarat sa facem un concurs, prin care sa premiem trei intrebari dintre cele mai interesante, creative, jucause, sensibile (lista e deschisa). Asadar, intrebati si catigati! Trei seturi complete de Povesti din Padurea Muzicala. Concursul e deschis pe blogul La drum cu Apolodor timp de o saptamana. Astept cu emotie intrebarile voastre! </span></span></div>
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<span style="font-family: inherit;"><span style="color: #1a1a1a;">Si, intre timp, schitez un raspuns la dilema " ce a fost mai intai, pana sau mama?"<o:p></o:p></span></span></div>
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<span style="color: #1a1a1a;"><span style="font-family: inherit;"> Mamele scriu ca să nu uite. Când se naște primul copil, totul e nou, nimic nu se potrivește cu harta pe care ți-o desenasei cu atâta speranță. Navighezi printre scutece, tetine, bavete, sterilizatoare și termometre, fentând o febră sau o tuse, exultând la primul cuvânt, la primul pas sau la prima... olița. Și uiți, cum nu ți s-a mai întâmplat vreodată! E firesc să îți dorești un jurnal de bord. Până la urmă, e cea mai palpitantă călătorie pe care o vei face în această viață. Iar peste ani, caietele în care ai notat ,,perlele,, celui mic, spaimele tale sau momentele amuzante vor deveni niște ghiduri foarte utile de gândire creativa și de auto-motivare. <o:p></o:p></span></span></div>
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<a href="http://1.bp.blogspot.com/-EBICaL204XE/WC74ANXUrDI/AAAAAAAABBA/g_TMQtEpOSEy-zjR8BVZ3gJ8iqrXzdJIwCK4B/s1600/povesti%2Bdin%2Bpadurea%2Bmuzicala3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="242" src="https://1.bp.blogspot.com/-EBICaL204XE/WC74ANXUrDI/AAAAAAAABBA/g_TMQtEpOSEy-zjR8BVZ3gJ8iqrXzdJIwCK4B/s400/povesti%2Bdin%2Bpadurea%2Bmuzicala3.jpg" width="400" /></a><span style="color: #1a1a1a;"><span style="font-family: inherit;"> Apoi, mamele scriu ca să nu <i>se</i> uite. Să nu se piardă pe ele, ființe inteligente, creative, surprinzătoare. În rutina primului an, cu binecunoscutul ritual alăptat-înfășat-spălat-culcat. Să își amintească cine sunt. Dincolo de suzete, pachete, bavete, rețete. Dincolo de zilele bune care curg la fel. Și de zilele rele care se învârtejesc copleșitor de <i>altfel</i>. <o:p></o:p></span></span></div>
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<span style="color: #1a1a1a;"><span style="font-family: inherit;">Știi, pe vremea lui Mozart, femeile de condiție plecau la băi ca să se refacă după o naștere. Astăzi femeile cu suflet de scriitor își iau o foaie de hârtie și, cu ochii pixelați de somn, pleacă unde vor ele.<o:p></o:p></span></span></div>
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<span style="color: #1a1a1a;"><span style="font-family: inherit;">Când se naște scriitorul? Înainte sau după mamă? </span></span><span style="color: #1a1a1a; font-family: inherit;">Să spunem că mama o va trage de mânecă pe scriitoare. </span><span style="color: #1a1a1a; font-family: inherit;">O va îndeamnă să iasă la lumină. </span><br />
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<span style="color: #1a1a1a;"><span style="font-family: inherit;">Să povestească pentru a adormi lin un copil. </span></span><br />
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<span style="color: #1a1a1a;"><span style="font-family: inherit;">Să <i>se </i>povestească pentru a rămâne trează ca femeie, ca om inteligent, ca spirit liber.</span></span><br />
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<span style="color: #1a1a1a;"><span style="font-family: inherit;">( Restul interviului si concursul pe blogul La drum cu Apolodor. Calatorie frumoasa!)</span></span><br />
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Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com0tag:blogger.com,1999:blog-6670500541072841002.post-31343066742913332442016-11-01T02:03:00.000-07:002016-11-01T02:03:01.578-07:00Un vis si...opt carti muzicale cadou ( concurs)<a href="http://1.bp.blogspot.com/-nzi1Vgap_XY/WBhZB82TkMI/AAAAAAAABAI/Ix4BE_P36mEiH2utN-nuXOjcWeIYNSv3QCK4B/s1600/povesti%2Bdin%2Bpadurea%2Bmuzicala.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://1.bp.blogspot.com/-nzi1Vgap_XY/WBhZB82TkMI/AAAAAAAABAI/Ix4BE_P36mEiH2utN-nuXOjcWeIYNSv3QCK4B/s320/povesti%2Bdin%2Bpadurea%2Bmuzicala.jpg" width="192" /></a>Cele opt cărţi din colecţia "Poveşti din pădurea muzicală" au fost scrise pentru a crea, peste douăzeci de ani, un public pasionat de muzică clasică. Un public care să fi respirat din fragedă copilărie în preajma marilor compozitori, un public pentru care Chopin să nu sune a <i>shopping</i> cu ultima consoană neglijent aspirată, iar Bach să nu fie o rudă mai puţin norocoasă a lui Hornbach.<br />
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Am pus, aşadar, pe cântar un vis.<br />
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Visul ca muzica clasică să coboare de pe postamentul poleit al culturii înalte direct pe raftul cu jucării.<br />
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Visul ca nişte fraţi să se joace de-a Beethoven, nu numai de-a Bakugan.<br />
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Visul ca în curând un copil să îşi întrebe tatăl: "Hornbach de la Bach?".<br />
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Sau, împingând reveria spre utopie, posibilitatea ca acelaşi puşti, devenit adult, să renunţe la un Maybach pentru integrala Bach, plus câţiva ani de libertate.<br />
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Si pentru ca azi colectia cartilor muzicale se indreapta <i>allegro</i> spre o frumoasa poveste de...re-editare, va multumim pentru dragostea cu care ne-ati primit in ultimii ani. Va rasplatim cu trei seturi complete de opt carti cu CD, direct din biblioteca autorului.<br />
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<a href="http://3.bp.blogspot.com/-YewhiJbmyVg/WBhZL_JdRSI/AAAAAAAABAY/0CRG618Kcx4MCtt8kk4Kq9RdnyMeO8cMgCK4B/s1600/povesti%2Bdin%2Bpadurea%2Bmuzicala%2B5.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="213" src="https://3.bp.blogspot.com/-YewhiJbmyVg/WBhZL_JdRSI/AAAAAAAABAY/0CRG618Kcx4MCtt8kk4Kq9RdnyMeO8cMgCK4B/s320/povesti%2Bdin%2Bpadurea%2Bmuzicala%2B5.jpg" width="320" /></a> Asadar, concurs, pentru urmatoarele 3 zile, in 3 pasi simpli:<br />
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- like pagina Povesti din Padurea Muzicala<br />
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- like pagina Enescu si hora razelor de soare<br />
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- share postul de concurs<br />
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<i>Va tinem pumnii!!!!</i><br />
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<i> <a href="http://3.bp.blogspot.com/-ypYRtxS2ZD8/WBhZYXm_xBI/AAAAAAAABAg/NRH38lx6J4QMJVpEl-bNCaFk8rokg8uxwCK4B/s1600/povesti%2Bdin%2Bpadurea%2Bmuzicala3.jpg" imageanchor="1"><img border="0" height="387" src="https://3.bp.blogspot.com/-ypYRtxS2ZD8/WBhZYXm_xBI/AAAAAAAABAg/NRH38lx6J4QMJVpEl-bNCaFk8rokg8uxwCK4B/s640/povesti%2Bdin%2Bpadurea%2Bmuzicala3.jpg" width="640" /></a></i><br />
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<i><br /></i>Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com7tag:blogger.com,1999:blog-6670500541072841002.post-30581001589021691502016-10-30T14:09:00.000-07:002016-11-07T09:39:46.191-08:00Motive de frumusete- ' Enescu si hora razelor de soare'<a href="http://1.bp.blogspot.com/-CjgMU9LgnpY/WBZgXPSk26I/AAAAAAAAA_E/ozKWlvtkgtsNeVJBJC7N6PCHA4DjdCiuACK4B/s1600/14572945_331369603889661_7442210187743686091_n.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://1.bp.blogspot.com/-CjgMU9LgnpY/WBZgXPSk26I/AAAAAAAAA_E/ozKWlvtkgtsNeVJBJC7N6PCHA4DjdCiuACK4B/s320/14572945_331369603889661_7442210187743686091_n.jpg" width="192" /></a><a href="http://4.bp.blogspot.com/-ldTfbzGmTNE/WBZf-_GkZKI/AAAAAAAAA-0/SkJ7tbPwFBwYVclFh3nuyGph96YtbuW5wCK4B/s1600/20161026_200446.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://4.bp.blogspot.com/-ldTfbzGmTNE/WBZf-_GkZKI/AAAAAAAAA-0/SkJ7tbPwFBwYVclFh3nuyGph96YtbuW5wCK4B/s320/20161026_200446.jpg" width="192" /></a> O noua carte din colectia Povesti din Padurea Muzicala este gata sa-si ia zborul in lume.<br />
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A... noua.<br />
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Pentru noi, echipa care a lucrat trei ani la infaptuirea ei, este de departe cea mai draga.<br />
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Asa ca ne rasfatam privirea cu cateva ilustratii.<br />
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Tot atatea motive de frumusete, spunem noi.<br />
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<a href="http://3.bp.blogspot.com/-MjFPU6ACr5c/WBZgiC2-CTI/AAAAAAAAA_M/EFVt2yr_VSMRrCEGyHzYJG2zqbsb_wA5wCK4B/s1600/20161026_201622.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://3.bp.blogspot.com/-MjFPU6ACr5c/WBZgiC2-CTI/AAAAAAAAA_M/EFVt2yr_VSMRrCEGyHzYJG2zqbsb_wA5wCK4B/s320/20161026_201622.jpg" width="192" /></a><a href="http://4.bp.blogspot.com/-XTXuT8Wt15s/WBZgkXde82I/AAAAAAAAA_U/6OoIc_72e1YRtbzdAA0Hu_cegp8sS-LPQCK4B/s1600/enescu%2Ba1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://4.bp.blogspot.com/-XTXuT8Wt15s/WBZgkXde82I/AAAAAAAAA_U/6OoIc_72e1YRtbzdAA0Hu_cegp8sS-LPQCK4B/s320/enescu%2Ba1.jpg" width="192" /></a><br />
Intr-o alta zi de maine va vom sopti mai multe despre ce puteti gasi intre copertele migalos desenate de Adriana Gheorghe si Thea Olteanu.<br />
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Sapte povesti pentru sapte seri muzicale sau:<br />
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- Cuibusor de muzica<br />
- Povestea unui pui de soare<br />
- Cele doua dulapuri cu note muzicale<br />
- Invartita cu nuca- o reteta de Lia Ciocarlia<br />
- Scoala de muzica a iezilor talentati<br />
- O poveste scrisa cu acul<br />
- Printesa iubita din orasul amortit<br />
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Pe curand!<br />
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<br />Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com2tag:blogger.com,1999:blog-6670500541072841002.post-48975840574459531402016-10-30T12:09:00.000-07:002016-10-31T03:26:53.819-07:00Cuibul de povesti <a href="http://4.bp.blogspot.com/-DR6x_4tM3FE/WBZEhdOyo_I/AAAAAAAAA-k/brr4QlKurnwi_-9Cg4uTIS3mPhk6Bo2QQCK4B/s1600/enescu%2Bportret.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://4.bp.blogspot.com/-DR6x_4tM3FE/WBZEhdOyo_I/AAAAAAAAA-k/brr4QlKurnwi_-9Cg4uTIS3mPhk6Bo2QQCK4B/s320/enescu%2Bportret.jpg" width="320" /></a>Cum le citim copiilor pentru ca acestia sa ne ceara cu pasiune o noua poveste? Cum il facem pe cel mic sa intinda mana spre raftul de carti cu aceeasi aviditate cu care s-ar indrepta catre o tableta cu jocuri? Sau catre o cutie cu bomboane?<br />
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A deveni cititor e o cale lunga. Si nu cea mai simpla. Copilaria este luata cu asalt de console, tablete si nenumarate canale tv. Sarmana carte, cu paginile ei inaripate, pare condamnata sa piarda batalia, cel putin la categoria " sclipici", "efecte speciale" si "hipnoza garantata".<br />
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O cale lunga. Dar la capatul ei va sta un om liber. Si, as indrazni sa spun, fericit.<br />
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Cum le deschidem copiilor nostri drumul catre carte? Cateva sfaturi mai jos, de la o mama-scriitoare care, cum ar spune fiul meu, 'nu se poate abtine sa nu spuna povesti'.<br />
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1. Cuibul cu povesti<br />
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Am inventant cuibul cu povesti intr-o seara de noiembrie cand afara incepuse sa ninga. Doua canapele lipite intr-un careu au primit imediat numele de: <i>cotet, ladita, culcu</i>s ( din partea Theei cea modesta) respectiv <i>castel- cuib</i> in viziunea intimist-megalomana a lui Sashi. Copiii s-au bucurat ca au un spatiu al lor special pentru a citi carti. Iar eu am rasuflat usurata ca ii am sub control, intr-un fel de tarc cu perne si... povesti.<br />
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2. Cartile de la fereastra<br />
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Am fi putut pune cuibul de povesti oriunde. Am ales sa fie langa fereastra, pentru ca pervazul sa ne serveasca drept biblioteca a saptamanii. Duminica alegem impreuna cu Thea si Sashi cartile pe care urmeaza sa le citim in urmatoarele sapte zile. Le aranjam frumusel pe pervaz. Si hotaram ordinea in care le vom citi. Asa cum poate ati observat, copiii sunt foarte fericiti sa aiba o rutina. Ceea ce ne duce la urmatorul punct de pe lista...<br />
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3. Aceeasi ora<br />
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Pentru noi ora cu povesti este inainte de culcare. Negresit, fara negociere, cifra magica 7. Cand intarzii cateva minute, se gaseste mereu un copil care sa ma traga de maneca: e timpul! Rutina e cel mai bun prieten al unui parinte, cel putin in privinta bunelor obiceiuri.<br />
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4. Gustul dulce al lecturii<br />
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Cand aveam 9 ani, am citit Huckleberry Finn in timp ce rontaiam mere. Cativa ani mai tarziu, daca ar fi fost sa aleg o meserie, aceasta ar fi fost: <i>cititor-rontaitor de mere</i>. Recunosc, mi-am ratat vocatia si am ajuns publicitar, profesor, trainer si, in fine, scriitor. Mi-a ramas insa ideea de rontaiala. Asa ca pe pervazul de langa cuibul nostru cu povesti poposesc in fiecare seara un sir de farfurioare cu biscuiti, bucatele de mar, felii de portocala si trei cani cu ceai.<br />
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5. Muzica<br />
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Nu numai povestile din Padurea Muzicala curg bine pe un fundal muzical. Cand citim povesti rusesti, niste cantece despre serile din Moscova, despre drumuri de iarna si imbujorate Kalinki sunt numai bine-venite. Precum muzica eroica din Beethoven pentru niste povestiri istorice.<br />
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Sfatul meu ar fi ca muzica sa incadreze povestea: cateva minute la inceput, cat rasfoim cartea si intram in atmosfera. Apoi cateva minute la final, cand contemplam povestea in intregul ei, ne gandim cum ar fi putut curge altfel si ce personaje am fi putut adauga ( sau scoate).<br />
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6. Lumina<br />
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Pentru noi, cuibul de povesti e ca o scena. Nimic altceva nu mai exista. In toata casa ramane o singura lampa, cea de deasupra canapelelor-ingemanate. E ca si cand lumea adevarata s-ar stinge pentru o ora. Mai raman: steaua mea si a Theei, plus luna mea si a lui Sasha.<br />
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Cand citim o carte 'speciala' precum "Piesele lui Shakespeare" sau "Little Women" sau " Les Malheurs de Sophie" sau...( opriti-ma, va rog), ei bine, atunci o lumanare intr-un sfesnic greu ne aduce si mai mult mister (plus ceva lacrimi in ochii mamei-cititoare).<br />
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7. Citim pe rand<br />
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Imi place sa le arat copiilor ca avem atatea voci cate stari sufletesti. Pentru noi lectura e si un moment de arta dramatica. Cand citim o piesa de teatru, fiecare copil isi alege un personaj si ii citeste replicile.<br />
Ne distram incercand "vocea potrivita". Si cea opusa, care ar suna cel mai fals. E nu numai un exercitiu de atentie, ci si de improvizatie.<br />
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8. Crestem pe masura cartilor<br />
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Aici promit o postare separata. Lista cartilor cu care au crescut Thea si Sashi le reflecta mult mai bine copilaria decat un album cu fotografii. Ce va pot spune este ca avem in continunare cuibul nostru de povesti. Si ca, intre timp, fiecare copil are propriul raft de carti si ora ( sau orele) lui separate de lectura. Cum ar spune Sashi, cand il intreb cat mai are de citit: 'e viata mea privata, mama!'<br />
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De acord. Cand copilul ne cere sa iesim afara din camera lui pentru a-l lasa singur cu o carte e cel mai frumos compliment pe care il putem primi.<br />
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Ca parinte.<br />
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Ca cititor.<br />
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Ca frate de carte.<br />
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PS: <b>Concurs de poveste!</b><br />
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Puteti castiga 3 seturi complete de povesti din Padurea Muzicala (8 carti si 8 CD-uri) prin 3 pasi simpli:<br />
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- like pagina Povesti din Padurea Muzicala,<br />
- like Enescu si hora razelor de soare,<br />
- share postul de concurs de pe pagina Povesti din Padurea Muzicala.<br />
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Castigatorii vor fi anuntati vineri, 4 nov, la ora 3PM.<br />
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Va tinem pumnii!!!<br />
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<br />Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com0tag:blogger.com,1999:blog-6670500541072841002.post-43123532474037540742016-09-11T03:18:00.001-07:002016-10-01T00:23:42.668-07:00Cum le dam copiilor niste vesti exagerat de proaste<div class="separator" style="clear: both; text-align: center;">
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O despartire. Moartea unui om drag. O boala data de un nefericit cod ADN. Sau, mai nou, o pribegie fortata. Cum le spunem copiilor nostri vestile pe care noi insine abia le putem internaliza?<br />
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Iata intrebarea pe care mi-am pus-o la sfarsit de iulie. Cu doi copii destul de mari pentru a nu putea fi mintiti. Insa prea mici pentru a putea duce povara unui fapt prea complex pentru puterea lor de intelegere.<br />
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Ce a urmat? O lectie pentru mine, ca parinte. Si un solid punct de sprijin pentru viitor. Nu, ceea ce nu te omoara nu te face mai puternic. In schimb te face mai viu. Mai alert. Mai recunoscator pentru fiecare raza de soare si pentru fiecare covrig rontait fara ganduri, pe iarba.<br />
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Mai jos, pe puncte, o mica lectie despre vestile pe care nu le putem cotrola si despre copiii nostri iubiti.<br />
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<b>1. Adevarul mai inainte de toate</b><br />
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Sigur, un divort poate fi mascat printr-o explicatie de tipul " tati are mult de lucru si va lipsi o perioada." Sau moartea unei bunici poate fi voalata printr-o campanie voluntara de uitare. Insa nu vom face decat sa amanam o veste care poate ajunge la cei mici prin alte surse, infinit mai putin atente cu sufletul lor.<br />
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Asadar, adevarul si numai adevarul. Cat mai repede, cu atat mai bine.<br />
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<b>2. Adevarul intr-o forma digerabila</b><br />
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Cuvintele simple sunt cheia. <i>Coma, transplant, resuscitare, proces, partaj </i>sunt tot atatia straini care nu fac decat sa adauge nori de plumb in sufletul copilului si sa semene indoiala fata de un viitor de neinteles.<br />
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Cand vom spune o poveste simpla, fara intorsaturi si explicatii, ne va fi si noua, ca parinti, mult mai usor.<br />
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<b>3. Sensul care ne ajuta</b><br />
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Ce ar fi Scufita Rosie fara lup? Sau Alba ca Zapada fara mastera? Cenusareasa fara surorile rele? Nu numai povestile au nevoie de un obstacol pentru a fi puternice, interesante, frumoase.<br />
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Acest minim de sens adaugat unei vesti rele ii va ajuta pe copii sa vada dincolo de zid.<br />
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Pana la urma, cand ti se pune un munte in fata ai doua optiuni: sa putrezesti la umbra lui, plangandu-ti de mila. Sau sa-l urci.<br />
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<b>4. Fara pipeta</b><br />
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Din publicitate am invatat un principiu de baza al comunicarii de criza: '' Aduna vestile proaste intr-un singur bloc si pune punct. Segmenteaza vestile bune pentru a prelungi starea de bine.''<br />
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Vestile proaste date cu pipeta inseamna agonie. Si nu pregatesc sufletul copilului decat pentru suspiciune. Sfatul meu ar fi sa transformi cat mai repede semnul de intrebare in punct.<br />
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<b>5. Strategia sandvis</b><br />
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Compuneti un context cald pentru a livra vestea-caramida. Iesiti in natura cu cei mici. Faceti un picnic. Aduceti o placinta cu miros imbietor. Sub cerul liber, o veste, oricat de rea, se va disipa ca o ploaie calda de vara. Iar o portie buna de joaca inainte de plecare va fi pentru copii un semn ca viata merge mai departe si ca trebuie sa ne bucuram de fiecare mic moment de bine.<br />
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<b>6. Creativitatea ca balsam</b><br />
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Pictura, pianul, poezia- sunt tot atatea debusee care ii vor ajuta pe copii sa-si transforme durerea, sa-i dea o forma creativa, pentru a putea trece mai departe.<br />
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<a href="https://3.bp.blogspot.com/-cFmhTDuhvVo/V9U5VYRRKvI/AAAAAAAAA9k/NbiBCn_k_GcR9f-lSzAPNGhdWOf6hZ79ACLcB/s1600/IMG_3638.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://3.bp.blogspot.com/-cFmhTDuhvVo/V9U5VYRRKvI/AAAAAAAAA9k/NbiBCn_k_GcR9f-lSzAPNGhdWOf6hZ79ACLcB/s320/IMG_3638.jpg" width="240" /></a>Puneti-le la indemana acuarele, panza si pensule. Jucati-va impreuna cu culorile. Faceti-va unul altuia portretul.<br />
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Incropiti un cuib de povesti din doua canapele si cateva perne. Cititi-le copiilor. Spuneti-le povesti de cand erati mici. Si cantati.<br />
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<span style="text-align: center;">Noi am cantat mult la pian. La sfarsit de iulie, fata mea de 12 ani neimpliniti a compus o piesa pe care a intitulat-o </span><i style="text-align: center;">Vis pentru pian si tata</i><span style="text-align: center;">:). Si a continuat sa scrie povestea ei despre o veverita revolutionara.</span><br />
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Pentru multi, vara aceasta va avea numele unei etichete dureroase. Pentru noi, durerea se va fi facut muzica si carte.<br />
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<br />Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com8tag:blogger.com,1999:blog-6670500541072841002.post-76406158763640330312016-01-26T22:34:00.001-08:002017-01-09T08:15:09.271-08:00Ghid sentimental despre ie<br />
<span style="font-family: inherit;">1. De cand dateaza si cum a inceput pasiunea ta pentru ie?<o:p></o:p></span><br />
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<span style="font-family: inherit;">Cred că totul a început în facultate, la un curs de etnografie. A continuat, în
forme agravante, cu iile cumpărate din târg şi purtate în fiecare vară la mare.
Cu admiraţia pentru Lena Constante şi tapiseriile-i pădureneşti. </span><br />
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;">Acum am ajuns
sa cumpănesc bine înainte de a-mi cumpăra o rochie noua. Pentru mine, moneda nu
este </span><i style="font-family: inherit;">leul </i><span style="font-family: inherit;">ci </span><i style="font-family: inherit;">ia</i><span style="font-family: inherit;">, iar întrebarea
pe care mi-o pun în faţa unei perechi de pantofi este ‘câte ii aş putea să-mi
cumpar în locul acestor minuni cu tocuri ametitoare?’ </span><br />
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<span style="font-family: inherit;">Pană la urmă, diferenţa
dintre o ie şi oţinută contemporana e ca prima a fost deja iubită, in timp ce a
doua a fost doar împachetată, sigilată si împodobită cu un cod de bare. De
aceea, cel mai adesea pantofii cei noi sau rochiile ispititoare rămân la locul
lor şi încă o ie îşi face loc în lada mea de zestre.</span><br />
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<u1:p></u1:p><span style="font-family: inherit;">
</span><br />
<span style="font-family: inherit;">2. Povesteste-ne despre colectia ta de ii - de cat timp si de unde le
"culegi", daca e vreuna care are o poveste speciala, sau pe care o
preferi dintr-un motiv anume.<o:p></o:p></span><br />
<span style="font-family: inherit;"><br /></span>
<u1:p></u1:p><span style="font-family: inherit;">
</span><br />
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<span style="font-family: inherit;"><span style="line-height: 18.399999618530273px;">În douăzeci de ani am strâns aproape o sută de ii şi zeci de fote şi de pieptare din toatătara. Ador cămăsile de Muscel, cele de Banat şi de Pădureni. </span></span><br />
<span style="font-family: inherit;"><span style="line-height: 18.399999618530273px;"><br /></span></span>
<span style="font-family: inherit;"><span style="line-height: 18.399999618530273px;">Totusi, cea mai apropiată sufletului meu rămâne ia din Nordul Moldovei cusută de fata mea când avea zece ani. </span></span><span style="line-height: 18.399999618530273px;">A fost un drum de şase luni, de-a lungul căruia Thea a brodat cu sârg, inspirată de documentatia cărtii la care lucram - </span><i style="line-height: 18.399999618530273px;">Enescu si hora razelor de soare</i><span style="line-height: 18.399999618530273px;">. </span><br />
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<span style="line-height: 115%;"><span style="font-family: inherit;">Am încheiat sincron, ultimul nod la ie fiind
frate geamăn cu punctul de final de poveste. In februarie 2017, la editura Curtea Veche, asteptam ca noua carte sa insoteasca ia Theei intr-o dubla lansare : de carte si de colectie...etnografica.</span></span><br />
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<span style="font-family: inherit;">3. Cand si cum le porti? Cum te simti cand esti imbracata in ie?</span> <o:p></o:p><br />
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<a href="https://1.bp.blogspot.com/-LiiZc1f-J70/VqhnaES-cLI/AAAAAAAAA6w/6eHRJVf_BTQ/s1600/cristina%2Bandone%2Bpovesti.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://1.bp.blogspot.com/-LiiZc1f-J70/VqhnaES-cLI/AAAAAAAAA6w/6eHRJVf_BTQ/s200/cristina%2Bandone%2Bpovesti.jpg" width="200" /></a><span style="font-family: inherit;">O ie poate fi boemă sau glam, nonconformistă sau foarte formală, în funcţie
de context. </span><br />
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;">În picioarele goale, la mare, un delicat veşmânt de Muscel îţi va
flata trupul ca un vis de fluture. </span><br />
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;">La bal, o ie preţioasă de Mehedinţi accesorizată
cu o fustă de mătase, o fotă cu fir metalic şi o pelerină de dantelă te va
scoate din anonimatul rochiilor negre cu sclipici. <o:p></o:p></span><br />
<span style="font-family: inherit;"></span><br />
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;">4. Ce ar trebui sa stie o viitoare posesoare de ie? <o:p></o:p></span><br />
<span style="font-family: inherit;"><br /></span>
<u1:p></u1:p><span style="font-family: inherit;">
</span><br />
<u1:p></u1:p><span style="font-family: inherit;">Acum zece ani, nu erau prea multe opţiuni pentru iubitoarele de
ii. Existau cămăsile vechi, cusute de mână, şi cele de artizanat, din pânză
topită, cu economicele motive în rosu si negru. Acum piaţa a evoluat, ne putem
cumpara ii noi, bogat ornamentate şi corecte etnografic. Desigur, oricând aş
alege o ie cu istorie în locul uneia cu etichetă, fie aceasta glam.</span><br />
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;"> Iata câteva
sfaturi pentru a ‘depista’ o ie autentică:<o:p></o:p></span><br />
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</span><br />
<span style="font-family: inherit;">- Întoarceti cămasa pe dos. Cusătura cu acul nu poate fi trucată. Micile
imperfectiuni indică lucrul de mână si implicit vechimea.<o:p></o:p></span><br />
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<u1:p></u1:p><span style="font-family: inherit;">
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<span style="font-family: inherit;">- Alegeti o ie cu paiete mici, patinate, în locul celor mari, strălucitoare.
Dincolo de estetică, e şi un semn ca acel veşmânt a vazut măcar finalul celui
de-al doilea război mondial, ceea ce nu e putin lucru.<o:p></o:p></span><br />
<span style="font-family: inherit;"><br /></span>
<u1:p></u1:p><span style="font-family: inherit;">
</span><br />
<span style="font-family: inherit;">- Ignoraţi chemările de sirenă ale iilor din tul sau nylon. Sunt mai
ieftine, dar provoacă rani estetice privitorilor şi un serios discomfort
purtătoarei. <o:p></o:p></span><br />
<span style="font-family: inherit;"><br /></span>
<u1:p></u1:p><span style="font-family: inherit;">
</span><br />
<span style="font-family: inherit;">- Între lame şi fir metalic mergeţi pe a doua variantă. E subtil-sofisticată
şi indică o vechime considerabilă.<o:p></o:p></span><br />
<span style="font-family: inherit;"><br /></span>
<u1:p></u1:p><span style="font-family: inherit;">
</span><br />
<span style="font-family: inherit;">-Între o ie cu flori şi una cu motive geometrice, prima va lua ochii, în
timp ce a doua va culege complimentele avizatilor. E diferenţa dintre o
bijuterie sclipitoare, din oţel inoxidabil, şi una de argint, uşor înnegrită.<o:p></o:p></span><br />
<u1:p></u1:p><span style="font-family: inherit;">
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Dincolo de orice, vă doresc sa găsiţi acea ie care sa vă îmbrace sufletul!<br />
(
intrebari de Adina Rosetti pentru Unica de februarie 2016)<o:p></o:p><br />
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<a href="https://4.bp.blogspot.com/-eJVwpFTM3wY/VqhnenmEPkI/AAAAAAAAA60/-x-43PqIi20/s1600/cristina%2Bandone%2B%2526david%2Blodge.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://4.bp.blogspot.com/-eJVwpFTM3wY/VqhnenmEPkI/AAAAAAAAA60/-x-43PqIi20/s400/cristina%2Bandone%2B%2526david%2Blodge.jpg" width="225" /></a>Alaturi, o fotografie de la FILIT 2015, impreuna cu David Lodge.<br />
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Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com2tag:blogger.com,1999:blog-6670500541072841002.post-16151886398092414942016-01-16T08:31:00.000-08:002016-01-16T08:31:06.535-08:00Amintiri despre muzicaM-am născut într-o camera în care pianina Bechstein a mamei stătea cuminte lângă raftul cu jucării. <br />
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De la început, clapele de fildeş, suporturile de bronz ale lumânărilor şi efigia lui Beethoven în ebonită m-au impresionat mai mult decât toboşarul chinez, păpuşa Nadia şi jocul "Nu te supăra frate" (când am avut, în sfârşit, un frate lucrurile s-au mai schimbat). În fiecare seară ascultam, alături de tata, concertul de la Radio România Muzical şi, de la cinci ani, ne amuzam recunoscând compozitorii. Tot atunci au venit primele lecţii de pian cu o profesoară ai cărei ochi verzi şi inele de smarald mă fascinau în egală măsură. <br />
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Avem, aşadar, în faţă copilul unic al unor părinţi tineri, intelectuali, care îşi proiectează în el aspiraţiile artistice (mama), respectiv creativitatea şi pofta de joacă (tata). Cred că am fost într-o bună măsură experimentul unui medic care a visat să fie scriitor şi al unui inginer meloman care nu a încetat nicicând să se joace. <br />
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( fragment din interviul acordat ziarului Bursa 11.11.16)<br />
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Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com0tag:blogger.com,1999:blog-6670500541072841002.post-68553507007389064652016-01-13T23:44:00.000-08:002016-11-01T01:49:18.287-07:00Visul de-a Bach, Hornbach, Maybach<div class="separator" style="clear: both; text-align: center;">
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Cele opt cărţi din colecţia "Poveşti din pădurea muzicală" au fost scrise pentru a crea, peste douăzeci de ani, un public pasionat de muzică clasică. Un public care să fi respirat din fragedă copilărie în preajma marilor compozitori, un public pentru care Chopin să nu sune a shopping cu ultima consoană neglijent aspirată, iar Bach să nu fie o rudă mai puţin norocoasă a lui Hornbach. <br />
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Din punctul de vedere al marketing-ului convenţional, colecţia a fost poziţionată într-adevăr riscant: un produs premium, la un preţ scăzut, într-un tiraj de masă. Toate argumentele duceau către o variantă corectă, prin publicarea acestor cărţi într-o ediţie de lux, limitată. Desigur, am luat în considerare lipsa unui auditoriu semnificativ în zona muzicii clasice, precum şi mecanismul snob al achiziţiei de produse culturale: cumpărăm pentru că "dă bine" şi/sau "pentru că e scump". Ca un contraargument am avut viziunea că fără un gest de curaj nu vom ieşi niciodată din cercul vicios "nu avem un public educat - nu avem pentru cine crea/interpreta." <br />
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Am pus, aşadar, pe cântar un vis. Visul ca muzica clasică să coboare de pe postamentul poleit al culturii înalte direct pe raftul cu jucării. Visul ca nişte fraţi să se joace de-a Beethoven nu numai de-a Bakugan. Visul ca în curând un copil să îşi întrebe tatăl: "Hornbach de la Bach?". Sau, împingând reveria spre utopie, posibilitatea ca acelaşi puşti, devenit adult, să renunţe la un Maybach pentru integrala Bach, plus câţiva ani de libertate. <br />
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M-a încurajat faptul că în copilărie nu avem prejudecăţi şi temeri, nu ne e frică de "muzica grea" dacă încă nu ne-a fost prezentată astfel. Suntem într-o zonă de generozitate a inimii şi de curiozitate. Or, ce auditoriu mai propice s-ar putea găsi pentru Vivaldi, Bach, Mozart, Beethoven, Chopin, Tchaikovski sau Strauss? Da, am pus în balanţă un vis. Şi acesta a sfârşit prin a cântări covărşitor. Încă o dată, copiii au avut dreptate... ( fragment din interviul acordat ziarului Bursa, 11 ian 2016)Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com7tag:blogger.com,1999:blog-6670500541072841002.post-60108970529566416192016-01-13T07:59:00.003-08:002016-01-13T07:59:48.657-08:00Despre scriitorul colindator<br />
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Într-un fel, fiecare scriitor e un călător sau, dacă vreţi, un colindător. Cel mai simplu ar fi să bată la uşi deja deschise. Însă în acest caz poate fi sigur că drumul pe care se află a fost deja parcurs şi că vestea bună pe care o aduce e un clişeu, mai palid sau mai strălucitor. Rămân uşile care se deschid binevoitor dacă ştie să găsească soneria. Şi cele ferecate care aparent nu se vor descuia niciodată. Pentru ultima categorie nu cunosc o cheie mai bună decât timpul. <br />
<br />De la publicarea celor opt cărţi din colecţia Poveşti din Pădurea Muzicală au trecut aproape patru ani. În primele săptămâni de după lansare a fost o linişte... ca înainte de concert, aş spune azi, cu relaxarea celor 120.000 exemplare vândute. Apoi au apărut primele recenzii. Determinante au fost, cu siguranţă, atelierele muzicale propuse de două bloguri importante, ale căror autoare mi-au devenit prietene: Mic atelier de creaţie al Cameliei Vida Raţiu şi Ursuleţi năzdravani de Coca Asan. Plus prezenţa în media cu vizibilitate: un interviu- maraton de 2 ore la Oamenii Realităţii şi un minunat material la Europa FM realizat de buna prietenă a muzicii clasice, Anca Grădinaru.<br />
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Între timp, spiriduşii compozitori au inspirat zeci de ateliere educative. Pot fi comandaţi şi aşezaţi pe raft alături de alte jucării. Mii de poveşti muzicale au adus copiii mai aproape de muzica clasică. Părinţii îmi scriu despre puştii lor care preferă Chopin la patru ani şi povestesc cu naturaleţe despre Vivaldi, Mozart şi Beethoven. Nu mai pare irealizabil visul meu de a întâlni un preşcolar care să vorbească la fel de firesc despre Mozart şi despre Mickey Mouse...<br />
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( fragment din interviul acordat ziarului Bursa, 11 ianuarie 2016)<br />
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Cristina Andonehttp://www.blogger.com/profile/06724684142233630631noreply@blogger.com0tag:blogger.com,1999:blog-6670500541072841002.post-89201859107184733122016-01-13T05:13:00.001-08:002016-01-13T05:13:12.659-08:00Contes de la forêt musicale dans Bucharest Hebdo<strong>"Mon rêve de rencontrer un enfant n'allant pas encore à l'école, qui parle tout aussi naturellement de Mozart que de Mickey Mouse ne semble plus inatteignable" </strong>La collection „Contes de la forêt musicale", qui associe, de manière accessible aux enfants, contes pour enfants et musique classique, vise à cultiver un public passionné de la musique classique dès sa petite enfance. Comme le disait l'auteur elle-même, Cristina Andone, „un public pour lequel Chopin ne ressemble pas, à l'oreille, à shopping, en aspirant négligemment la dernière consonne, et Bach ne soit pas un parent moins chanceux de Hornbach". <br />Chaque livre de la collection est accompagné d'un CD de musique des célèbres compositeurs. <br />Madame Cristina Andone a eu l'amabilité de nous donner une interview sur les „Contes de la forêt musicale" et sur ses sources d'inspiration - ses enfants.<br />
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<b>Le reporter :</b> Comment sont reçus vos livres sur le marché, compte tenu du fait que qu'il n'existe pas de public assez nombreux ayant une culture musicale ? <br /><b>Cristina Andone : </b>Les huit livres de la collection „Contes de la forêt musicale" étaient écrits justement pour créer, d'ici une vingtaine d'années, un public passionné de la musique classique. Un public qui ait vécu, de sa petite enfance, à proximité des grands compositeurs, un public pour lequel Chopin ne ressemble pas, à l'oreille, à shopping, en aspirant négligemment la dernière consonne, et Bach ne soit pas un parent moins chanceux de Hornbach. <br />Du point de vue du marketing conventionnel, la collection était positionnée de façon effectivement risquée : un produit premium, à un prix réduit, dans un grand tirage. Tous les arguments menaient à une variante correcte, à travers la publication de ces livres dans une édition de luxe, limitée. Certes, j'ai pris en considération l'absence d'un auditoire significatif dans la zone de la musique classique, ainsi que le mécanisme snobe de l'achat de produits culturels : on achète parce-que „ça fait chic" et/ou „parce-que c'est cher". Comme contre-argument, ma vision selon laquelle, en l'absence d'un geste courageux, nous n'allons jamais sortir du cercle vicieux „pas de public éduqué - pas de public pour lequel créer / interpréter". <br />J'ai donc mis dans la balance un rêve. Le rêve que la musique classique descende du socle doré de la haute culture tout droit sur l'étagère aux jouets. Le rêve que des frères jouent entre eux à Beethoven et non seulement le Bakugan. Le rêve que bientôt, un enfant demande à son père : "Hornbach de Bach ?". Ou, en poussant le rêve vers l'utopie, la possibilité que le même gamin, une fois adulte, renonce à une Maybach pour l'intégrale de Bach, plus quelques années de liberté. <br />Ce qui m'a donné du courage, c'est que lorsqu'on est enfant, on n'a ni préjugés, ni craintes, on n'a pas peur de la „musique lourde", si elle ne nous a pas été présentée comme telle. Nous somme dans une zone de la générosité du cœur et de la curiosité. Or, quel auditoire plus favorable pourrait-on trouver pour Vivaldi, Bach, Mozart, Beethoven, Chopin, Tchaïkovski ou Strauss ? Oui, j'ai mis un rêve dans la balance. Qui a fini par peser lourdement. Une fois de plus, les enfants ont eu raison. <br /><b>Le reporter :</b> Ce sont vos propres enfants qui ont été la source d'inspiration des contes. Le sont-ils restés, ayant pris de l'age ? <br /><b>Cristina Andone : </b>Thea et Sashi étaient plus qu'une source d'inspiration. Ils ont construit, par de différents cubes, la raison pour laquelle j'ai imaginé les contes. Pour ma fille, la musique classique a été le seul moyen de s'endormir en moins d'une heure. Ce fut elle qui, instinctivement, reconnaissait à moins de trois ans une pièce musicale comme appartenant à Mozart, Beethoven, Chopin ou à Strauss. C'est encore elle qui a voulu en savoir davantage sur la musique envoûtante qui nous enchantait tous les soirs. Pour Sashi, les contes musicaux furent la manière palpitante dont Bach et Beethoven sont devenus plus importants que Ben Ten. <br />Lorsque l'idée a pris forme, Thea et Sashi ont fait la sélection des contes qui méritaient d'être imprimés. Il faut préciser que les huit livres composant jusque là la collection des Contes de la forêt musicale ont été publiés lorsque mes enfants étaient agés de 6 et 4 ans respectivement. Aujourd'hui, Thea et Sashi jouent plutôt le rôle d'éditeurs, dans ce sens qu'ils me signalent lorsqu'un conte perd son élan, lorsque l'attention du lecteur se relache, lorsque des images ne sont pas assez parlantes. Voilà donc deux enfants et au moins quatre rôles : de muses, de public cible, de groupe focus et de censeur. <br /><b>Le reporter :</b> La musique classique a-t-elle toujours été présente dans votre vie, ou bien dans quelles circonstances l'avez-vous découverte ? <br /><b>Cristina Andone : </b>Je suis née dans une chambre dans laquelle le piano Bechstein de ma mère restait tranquillement à côté de l'étagère aux jouets. Dès le début, les touches en ivoire, les chandeliers en laiton et l'effigie en ébonite de Beethoven m'ont marquée plus que le joueur de tambour chinois, la poupée Nadia et le jeu de l'oie (lorsque j'ai enfin eu un frère, les choses ont quelque peu changé). Tous les soirs j'écoutais, aux côtés de mon père, le concert de Radio Roumanie Muzical et, dès mes cinq ans, nous nous amusions à reconnaître les compositeurs. C'est à cet age que j'ai pris les premières leçons de piano avec une dame dont les yeux verts et les bagues aux émeraudes me fascinaient en égale mesure. Il s'agit donc de l'enfant unique dont les parents jeunes, intellectuels, projettent respectivement sur lui leurs aspirations artistiques (la mère) et leur créativité et envie de jouer (le père). Je pense que j'ai été en bonne mesure l'expérience unique d'un médecin qui avait rêvé d'être écrivain et d'un ingénieur mélomane qui n'a jamais cessé de jouer. <br /><b>Le reporter :</b> Votre carrière dans la publicité vous manque-t-elle ? <br /><b>Cristina Andone :</b>Oui, parfois, surtout à travers le filtre de la nostalgie. Rationnellement, je sais que la publicité, telle que je l'ai connue en fin de millénaire, n'existe plus. J'ai connu l'aube romantique d'un corps de métiers qui prenait à peine forme, en Roumanie, préoccupé avant tout de ce qu'il avait à transmettre au monde. A l'époque, le temps n'avait pas de limites, pas plus que notre énergie. Ce furent dix années belles, intenses, irrépétables. Entre-temps, mes compagnons sont partis pour New York ou Londres ; ils se sont mariés, ils se sont séparés, ils ont des enfants, des prix et... des objectifs financiers. Aujourd'hui, la publicité se trouve sous le signe de la maturité, du point de vue de la mise en place du métier, et en même temps sous celui de la fragilité, si on pense à la fragmentation des objectifs et à la volatilisation des budgets. Mais même comme ça, je pense que pour moi, la publicité n'est pas un coffre fermé à jamais. J'en garde encore la clé, dans une poche près du cœur. <br /><b>Le reporter :</b> Aviez-vous imaginé que vous alliez devenir un écrivain ? <br />Cristina Andone : Oui, ce fut ma troisième option, après celle de lectrice et dévoratrice de pommes. Puise pour les deux premières je n'ai pas (encore) reçu d'offre, je m'en suis tenue dans la zone des tisserands de mots goûteux. <br /><b>Le reporter : </b>Comment êtes-vous parvenue à pénétrer sur le marché et surtout à vous faire un nom dans ce domaine ? <br /><b>Cristina Andone : </b>D'une certaine manière, chaque écrivain est un voyageur ou, si vous voulez, un pérégrin. Le plus simple serait de frapper aux portes déjà ouvertes. Dans ce cas, il peut être sûr que la voie qu'il a prise a déjà été suivie et que la bonne nouvelle qu'il apporte est un cliché, plus pale ou plus brillant. Ensuite, restent les portes qui s'ouvrent avec bienveillance, s'il est assez habile pour trouver la sonnette. Et enfin, celles verrouillées, qui semblent ne jamais devoir s'ouvrir. Pour cette dernière catégorie, je ne connais pas de meilleure clé que le temps. <br />Depuis la parution des huit livres de la collection Contes de la forêt musicale, près de quatre ans son passés. Les premières semaines après le lancement, il y eut un silence... comme avant un concert, je dirais aujourd'hui, rassurée par les 120.000 exemplaires vendus. Sont ensuite apparus les premiers commentaires. Ce qui a été déterminant, sans doute, ce fut les ateliers musicaux proposés par deux blogs importants, dont les auteurs sont devenus des amies : le Petit atelier de création de Camelia Vida Ratiu et les Oursons espiègles de Coca Asan. En plus, la présence dans les media à grande visibilité : une interview-marathon de 2 heures chez „Les gens de la Réalité" et un merveilleux moment chez Europa FM, réalisé par une bonne amie de la musique classique, Anca Gradinaru. Entre-temps, les lutins compositeurs ont inspiré des dizaines d'ateliers éducationnels. On peut les commander et les ranger sur l'étagère, aux côtés des autres jouets. Des milliers de contes musicaux ont rapproché les enfants de la musique classique. Des parents m'écrivent que leurs gamins de quatre ans préfèrent Chopin et qu'ils parlent avec un air tout naturel de Vivaldi, Mozart et Beethoven. Mon rêve de rencontrer un enfant n'allant pas encore à l'école, qui parle tout aussi naturellement de Mozart que de Mickey Mouse ne semble plus inatteignable. <br /><b>Le reporter : </b>A-t-il été difficile pour vous, de combiner les contes et la musique ? <br /><b>Cristina Andone : </b>Au début cela n'a pas été difficile, mais impossible ! Thea a été celle qui m'a posé la question, non-orthodoxe du point de vue de la théorie musicale : „quel est le conte que dit de cette mélodie ?" Certes, la musique et le seul art non-référentiel ; tout comme Dieu pour les religieux, elle est ce qu'elle est. Mais l'intuition de mon enfant de trois ans m'a ouvert une nouvelle voie. J'ai réalisé que la musique des grands compositeurs avait de la personnalité. Et c'est cet esprit, ce style que j'ai essayé de surprendre dans des images et le transposer dans des contes. J'ai beaucoup lu, j'étais ensuite à Harvard et pendant deux mois, j'ai cristallisé deux cartes comprenant les principaux attributs que la critique musicale rattache au style de chaque grand compositeur. Dans la publicité, les pas que j'ai parcourus représentent une méthode courante : ça s'appelle „brand audit" (l'analyse de la personnalité d'une marque) et „brand mapping" (la transposition d'attributs en images et ensuite dans des noyaux narratifs). C'est peut-être parce que la publicité, tout comme le jeune enfant, n'hésite pas à se poser des questions non-prévues dans les canons et à leur trouver des réponses bigarrées. <br /><b>Le reporter : </b>Parmi les contes que vous avez écrits, avez-vous un préféré ? Et si oui, lequel et pourquoi ? <br /><b>Cristina Andone :</b> „Ne m'oubliez pas". Mon conte préféré porte le nom de la petite fée aux cheveux violets, qui tente de rompre le charme de l'oubli en apprenant par cœur des nocturnes de Chopin. <br />Je pense que tout le monde a un mot-clé, une sorte de bout de chandelle qui l'amène à travers le monde. Qui lui brûle les doigts. Qui lui fasse roussir les cheveux. Et qui l'aide à se refléter dans les yeux des autres. Mon mot à moi, c'est l'oubli. Depuis toute petite, j'ai peur d'oublier les lieux que j'ai visités, les gens que j'ai aimés, les livres que j'ai lus, d'oublier ma clé dans la porte et la carte bancaire dans le distributeur. Je garde les mots d'amour et les billets de tram, les méls d'adieu et les cadeaux peu inspirés reçus pour mon anniversaire (que je ne fête jamais). Je ramasse une pierre dans chaque coin de la Terre qui m'a écorchée par sa beauté ou par son désert. Et Chopin et mon compagnon dans le pays de l'oubli. Il ne me submerge pas (comme Beethoven, Brahms, Schumann), il ne me plonge pas dans des profondeurs métaphysiques (comme Bach, Albinoni, Corelli), il ne m'appelle pas par des noms d'ange (comme Mozart). Il ne me soigne pas, il ne me dispute pas. Il m'accompagne. <br /><b>Le reporter :</b> Selon vous, qu'est-ce qui manque sur ce marché, en Roumanie ? Pensez-vous qu'il en serait différent, si vous étiez dans un autre pays ? <br /><b>Cristina Andone :</b> En tant qu'écrivain, ce qui me touche le plus, c'est notre manque, à nous les parents, de temps à dédier aux enfants. La collection „Contes de la forêt musicale" ne propose pas des devoirs à faire rapidement le soir avant de se coucher, pas plus que des tests d'intelligence. Mes livres ont besoin de tranquillité, d'une certaine complicité ludique entre parents et enfants. <br />Je crains qu'on parle là d'un trait du monde contemporain, franchissant les frontières nationales. Certainement, nous vivons dans une société plus compétitive que celle d'hier, mais de plus en plus pauvre en ce que les Français appellent le «savoir vivre»" : le savoir de transformer le fil de chanvre rêche du temps en contes. <br /><b>Le reporter :</b> Envisagez-vous de traduire vos livres en d'autres langues ? <br /><b>Cristina Andone :</b> Bien sûr, je serais enchantée de voir mes contes sortir des frontières de la Roumanie. Après tout, la musique est une langue universelle. Et un livre sur Chopin traduit en français ne serait qu'un tout naturel retour à la maison. <br /><b>Le reporter : </b>Allons-nous voir un nouveau livre signé Cristina Andone bientôt ? <br /><b>Cristina Andone : </b>Oh, oui ! Je suis en train de préparer un projet très cher à mon cœur : un livre sur George Enescu, le compositeur le plus proche de notre ame nationale. Le texte est déjà prêt. Depuis un an, Adriana et Sebastian Oprita, aidés par Thea, travaillent sur les illustrations, avec des images inspirées de la création populaire roumaine. Ce sera un livre tissé comme une „ïe" (sorte de chemisier - blouse traditionnel roumain, en tissu très léger - n.d.tr), avec labeur et patience. Nous espérons le publier pour la fête des „Sanziene", fête du soleil et du costume national. Ce qui est certain, c'est qu'au mois de février, nous allons commencer à frapper aux portes des maisons d'édition. Croisez les doigts pour nous, pour que nous trouvions, sinon une porte ouverte, au moins une sonnette qui fonctionne !<br />
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( Bucharest Hebdo, 11/17 Jan 2016)<br />
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